LATEST ADDITIONS

Mike Wood  |  Apr 28, 2000  |  First Published: Apr 29, 2000  |  0 comments
The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

Michael Metzger  |  Apr 23, 2000  |  0 comments

J<I>udy Garland, Ray Bolger, Bert Lahr, Jack Haley, Frank Morgan, Margaret Hamilton, Billie Burke. Aspect ratio: 1.33:1 (full-frame). Dolby Digital 5.1 and mono. 101 minutes. 1939. MGM/Warner Bros. 65123. G. $24.95.</I>

Barry Willis  |  Apr 23, 2000  |  0 comments

Direct-broadcast satellite (DBS) companies have fought hard to gain parity with cable TV providers. A recent regulatory decision allowing the retransmission of local TV signals by satellite will go a long way toward giving DBSers equal footing with cable, and is the result of a long campaign of invoking "the free market" and "open competition."

Barry Willis  |  Apr 23, 2000  |  0 comments

As many as 12 recent releases from <A HREF="http://www.miramax.com/">Miramax Films</A> will be streamed over the Internet in the coming months, the Walt Disney Company&ndash;owned studio announced April 19. Among the offerings will be 1998 Oscar winner <I>Shakespeare in Love</I>, which will be transmitted using encryption technology from <A HREF="http://www.sightsound.com/">SightSound</A>, a company that has been renting films at its site for the past year, and that recently launched an Initial Public Offering of its stock.

Barry Willis  |  Apr 23, 2000  |  0 comments

The <A HREF="http://www.fcc.gov/">Federal Communications Commission</A> has begun looking into problems presented by the proliferation of digital cable systems, problems that could offer pirates the opportunity to make an infinite number of perfect copies of high-definition movies from transmissions over pay-per-view channels like Showtime and Home Box Office. The lack of a reliable copyright-protection technology is hindering the rollout of high-definition television.

 |  Apr 23, 2000  |  0 comments

At the NAB show in Las Vegas, <A HREF="http://www.sonicsolutions.com/">Sonic Solutions</A> announced a technology partnership with <A HREF="http://www.ravisent.com">Ravisent Technologies</A> that is intended to bring high-definition DVD to content developers and consumers for the first time. Sonic says that the new format, called hDVD, expands DVD beyond standard-definition video to include any of the 18 ATSC video formats, including 1080i and 720p.

 |  Apr 23, 2000  |  0 comments

The <A HREF="http://www.ce.org">Consumer Electronics Association</A> reported last week that manufacturers' shipments of video products grew by "an incredible" 30% during March. "The strong March increase brought total first-quarter sales to 13.3 million units, a 21% increase over the first quarter of 1999. The growth in March was reflective of a larger trend of prosperity in video product sales, as all categories posted double-digit increases for both the month and year-to-date," stated the organization.

Thomas J. Norton  |  Apr 16, 2000  |  0 comments

W<I>e inadvertently left out the sidebar of the measurements TJN did of the Proceed BP3 amplifier, which was intended to accompany FM's review of the BP3 and BP2 amps in our May issue.</I>

Jon Iverson  |  Apr 16, 2000  |  0 comments

At last week's <A HREF="http://www.nab.org">National Association of Broadcasters</A> (NAB) convention, the <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA) called on broadcasters to step up digital television (DTV) programming efforts while announcing new market data and projections that they claim demonstrate the link between DTV sales and available content. The CEA says that the data include specific sales numbers for DTV receivers in 1999. The CEA also released revised DTV sales projections based on three different programming scenarios.

 |  Apr 16, 2000  |  0 comments

The changeover from analog to digital television was once envisioned as a smooth, peaceful process. The reality has proven to be rocky and contentious. The broadcast standard has been debated continuously since the beginning, continuing as the first generations of digital television transmitters and receivers went on the market. In March of this year, the Advanced Television Systems Committee, under pressure from Sinclair Broadcasting Group and others, began a review of the technical standards that it recommended in 1996, with the possibility of changing the modulation scheme for DTV. If the ATSC finds that a change is needed, the FCC could require its implementation. Any changes could adversely affect the desirability of products now on the market or in production.

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