LATEST ADDITIONS

Barry Willis  |  Jul 02, 2000  |  0 comments

Walter Matthau, the gruff-voiced, droopy-faced master of deadpan comic acting, died early Saturday morning, July 1, after suffering a heart attack. He was pronounced dead at 1:42am, shortly after being taken to St. John's Health Center in Santa Monica, California. Matthau was 79.

Michael Metzger  |  Jul 02, 2000  |  0 comments

C<I>lark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jameson Thomas. Directed by Frank Capra. Aspect ratio: 1.33:1 (full-frame). Dolby Digital mono. 105 minutes. 1934. Columbia 03949. NR. $24.95.</I>

Jon Iverson  |  Jun 25, 2000  |  0 comments

It's a DTV jungle out there, with manufacturers, broadcasters, consumers, and other market forces fighting for their ecological niches. Always an aggressive participant in the struggle, the <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA), in comments filed with the Federal Communications Commission last week, stated that "ensuring that today's viewers continue to enjoy free, over-the-air service should be the primary focus of the digital television (DTV) transition." While new services should be "permitted and encouraged," argued the CEA, they should be consistent with broadcasters' "continued delivery of free over-the-air programming in the digital era."

 |  Jun 25, 2000  |  0 comments

In the long term, interactive television (ITV) may not be the joke it has been so far. On June 21, Los Gatos, California&ndash;based <A HREF="http://www.ictv.com/">ICTV</A> announced that it has pulled in $57 million in investments from financial sector and telecommunications industry heavyweights. ITCT describes itself as the "leading provider of the cable industry's most robust solution for delivery of broadband Internet TV services to digital set-tops."

 |  Jun 25, 2000  |  0 comments

In mid-June, <A HREF="http://www.dtstech.com/">DTS</A> announced a new version of its DTS-ES Extended Surround Format for home theater. Designated DTS-ES Discrete 6.1, the system is a "new, proprietary technology for the playback of discrete, 6.1-channel content from DVDs and CDs," according to a company press release. The innovation is said to "elevate the performance standard for playback of the DTS 6.1-channel Extended Surround format introduced in motion picture theaters last year."

Michael Trei  |  Jun 25, 2000  |  First Published: Jun 26, 2000  |  0 comments
The B&K Reference 7260 six-channel amplifier proves to be a solid all-around performer.

Like many people, I often dream of what it would be like to have unlimited funds to buy the very best. You know, a Mercedes S500 and a Ferrari F50, along with a Hummer for those off-road adventures (not to mention a ski lodge in Aspen and, of course, a 250-foot yacht in the Bahamas). These are nice to fantasize about; however, when the reality of our lives takes over, most of us would probably buy a more-sensible vehicle like a Honda. While much of the glamour and notoriety in magazines tends to revolve around the most exotic stuff, there are companies that can give you most of that performance for a fraction of the price.

Jeff Cherun  |  Jun 25, 2000  |  First Published: Jun 26, 2000  |  0 comments
The Ferrari of audio.

Awhile back, I had the opportunity to be treated to what some of the world's most talented engineers have to offer. You see, I was having a drink with my friend Ron Jackson (president of Girard-Perregaux USA, a high-end watch manufacturer that has an affiliation with legendary car manufacturer Ferrari), and he suggested that I join him the following day at the Willow Springs racetrack for the U.S. debut of the new Ferrari 360 Modena. As a huge Ferrari fan, this was clearly an offer I couldn't refuse.

Mike Wood  |  Jun 25, 2000  |  First Published: Jun 26, 2000  |  0 comments
Breaching the digital frontier.

Digital, digital, digital. The generic term for the numerical representation of sounds and images is definitely the buzzword for the new millennium. Samsung, a relative newcomer to the U.S. rear-projection market, has taken that buzzword to heart and taken a bold step forward, creating an almost all-digital chassis for their rear-projection displays.

Clint Walker  |  Jun 25, 2000  |  First Published: Jun 26, 2000  |  0 comments
A new value-driven benchmark in high-performance theater.

I've been sitting here at my computer for over an hour without typing a word. I'm showing signs of terminal writer's block, but I wish I were that lucky. In truth, I'm just speechless, and the Cinénova Grande amplifier from Earthquake Sound Corporation is the reason why. Several weeks ago, a massive wooden crate stamped "heavy" arrived at our sound lab in Woodland Hills. I had seen crates like this during my stint in the military—they usually contained Patriot missile warheads. We gathered around it like cavemen observing fire, poking at it and wondering what it might be. Finally, I worked up the nerve to open it up.

Barry Willis  |  Jun 25, 2000  |  0 comments

Ever wonder how all those short films you never heard of get nominated for Academy Awards? They have to run for a weekend at theaters in Los Angeles or New York in order for <A HREF="http://www.oscars.org/">Academy of Motion Picture Arts and Sciences</A> members to get a chance to view them. Those are the rules, the Academy stated on June 13, after deciding to exclude from Oscar consideration any film debuting on the Internet.

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