LATEST ADDITIONS

 |  Oct 03, 2005  |  0 comments

VIDEO PERFORMANCE Color temperature (Ideal color temperature and contrast before calibration/User color temperature and Ideal contrast after calibration) Low window (30-IRE): 7,534/6,477 K High window (80-IRE): 7,385/6,556 K Brightness (100-IRE window before/after calibration): 51.4/48.5 ftL

Marc Horowitz  |  Oct 03, 2005  |  0 comments
Touchstone
Movie •••½ Picture/Sound •••• Extras •••
Director Garth Jennings has plenty of fun wit
Al Griffin  |  Oct 03, 2005  |  0 comments

"Home theater in a box" - to me, that phrase conjures up cheap, all-in-one packages with a combo DVD player/receiver, tiny speakers, and an underpowered amp crammed into a "bass module." But it can also be stretched to mean a high-quality system whose components are designed to work together in a turn-key fashion, which saves you from racking your brains about which receiver goes best with what

Sol Louis Siegel  |  Oct 02, 2005  |  0 comments
Sony
Movie ••½ Picture/Sound •••• Extras ••
In this impressive dramatization of the fall of Berlin in 1945, Hitler
Ken Korman  |  Oct 02, 2005  |  0 comments
Warner
Movie ••½ Picture/Sound •••• Extras ••
The acid test for any movie-related documentary in 2005 is clear: Do
Ken Korman  |  Oct 02, 2005  |  0 comments
Ken C. Pohlmann  |  Oct 02, 2005  |  0 comments

As I unpacked the box, I kept asking myself, "Yes, but where are all the speakers?" Your friends will ask, too, when they see the SurroundWorks 200 from Cambridge SoundWorks - and might wonder if you've decamped from the 21st century and returned to the days of mono.

SIN CITY Dimension
Movie •••½ Picture/Sound •••• Extras ••
Warner
Movie ••½ Picture/Sound •••• Extras ••
The "Director's Cut" of Alexander actually
Mel Neuhaus  |  Oct 02, 2005  |  0 comments
Warner
Movie •••• Picture/Sound •••• Extras •••½
As expected, this splendid five-disc set includes the best cinematic achievements of famed dance duo F
Al Griffin  |  Oct 02, 2005  |  0 comments

The original xXx achieved almost lyrical heights of excess through its digitally enhanced, over-the-top action sequences.

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