A twisting, turning, supernatural story, The Forgotten stars Julianne Moore as Telly, a woman grieving the loss of her 8-year-old son. The only problem is, everyone around her insists that the boy she misses so desperately never actually existed. As she continues to cling to her memories, she finds herself sinking further into a nightmare. Although the heart of the film is about the unbreakable bond between parent and child, the story offers enough government conspiracy and X-Files-type intrigue to give it wider appeal.
What's funny about a group of staid suburban Texans who take life much too seriously? Pretty much everything, as their Emmy Award–winning third season proves, from the all-time-great "And They Call It Bobby Love," with guest voice Sarah Michelle Gellar (the episode culminates in a cheer-out-loud eating contest), to the darkly comic skydiving mishap in the season finale.
In Mira Nair's (Monsoon Wedding) adaptation 19th-century Europe meets the cultural vibrancy of India. Reese Witherspoon stars as the ambitious heroine, Becky Sharp, one of literature's most intriguing and complex female characters. With nothing but wit, beauty, and sensuality at her disposal, Sharp travels on her scheme-filled journey to the height of society, only to find that the destination is as morally low as the gutter from which she came. Gabriel Bryne joins the cast as the devious Marquess of Steyne, along with James Purefoy as Rawdon Crawley. Witherspoon's performance is short of convincing, lacking a smooth transition from coyish girl to brazen coquette.
<IMG SRC="/images/archivesart/headshot150.tjn.jpg" WIDTH=150 HEIGHT=194 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>One of the hot, media-centric topics these days is Digital Rights Management, or DRM. I touched on this topic in a <A href="http://www.ultimateavmag.com/news/041405DRM/">report</A> on the recent Digital Hollywood conference. Put simply but politely, it involves managing how and what an individual may do with program material to which others own the copyright. Put more bluntly, it involves how to keep the public from making copies that Hollywood considers illegitimate and thus deny Hollywood the income it feels would otherwise come from the sale of that material.
Evidently, Polk has a thing for XM Satellite Radio. About six months after they introduced a stand-alone, home-component XM tuner (the XRt12), the speaker company is pulling the wraps off of a new XM-ready tabletop entertainment system called the I-Sonic. Sure, you might think it's just a new compact stereo system designed to sonically kick the you know what out of you know which (heavily advertised) tabletop system from you know who. (And who am I to say that you're wrong?) But a quick look at all of the I-Sonic's features and capabilities makes it appear to be something more - you know, the kind of thing your grandmother could use but will still impress the heck out of your more techno-sophisticated friends.
Ask the average guy in the street what makes a home theater a home theater and you're likely to hear one of two answers: "A honkin' big screen" or "Five (or six or seven) speakers." It would be hard to argue with either answer, because a great picture and sound coming from all around you are essential elements of the home theater experience.
Once upon a time, audiophiles used to get very excited about power amplifiers. They would obsess about the minutiae of an amp's sonic character and its ability to successfully drive 2ohm loads. Times change. Now amplifiers are among the least sexy components in a home theater. Most videophiles would concur with the concept that amplifiers should be heard, but not seen. Within the new world order of home theaters, amplifiers have been relegated to a supporting role.
<I>TJN takes a look (and listen) at a system consisting of four recently reviewed products: the Revel Performa F32 speaker system, the Sony STR-DA9000ES A/V receiver, the Marantz DV8400 DVD player, and the Sony VPL-HS51 video projector.</I>