A lot of compact wireless audio systems have crossed our desk over the last few years but the forthcoming Polk Woodbourne, named for a neighborhood in the company's native Baltimore, is different. It has a fiberboard (not plastic enclosure) and the enclosure is sealed (not ported). Wireless options include both AirPlay and Bluetooth apt-X. Power is 70 watts RMS for each woofer and 20 for each tweeter. The demo was impressive for its spaciousness, thanks to the outward-aiming mounting of tweeters on the far sides of the curved baffle. We could close our eyes and imagine we were hearing a larger system. Pricing will be $599 when it arrives between April and June. Polk also showed the new TSx series which replaces the TSi. There are three towers, two monitors, and two centers in cherry or black. Woofers are polypropylene impregnated with other materials so that the intrinisic resonances of any one material are canceled out. Their size has increased in the towers and the larger center from 5.25 to six inches for bigger bass. Pricing ranges from $199 for the smallest center to $999/pair for the biggest tower.
Meridian's first on-wall speakers include the DSP 520 ($5000/each) and DSP 648 ($7000/each). Unlike most in-walls, but like other Meridian speakers, they are self-powered and loaded with DSP magic. They're also built with separate enclosures for the drivers, the electronics, and the back box. Our exclusive closeup shows buttons your installer can use to dedicate the speaker to left, center, or right channel use. Mount Meridian's Media Controller 200 to the back and you can control the system from your iPad.
Tannoy's new Precision line includes continues to use a coaxial array—the company calls it a dual concentric array—with the tweeter mounted at the center of the midrange driver. But this new version is revoiced for greater efficiency and dynamic range. The line includes the Precision 6.4 tower, $3200/pair; the Precison 6.2 tower, $2400/pair; the Precision 6.1 monitor, $1200/pair; and the Precision LCR, $1000. All have six-inch woofers, hence all the sixes.
The Revel Rhythm2 has an 18-inch aluminum driver with four-inch voice coil backed up with 2000 watts. Of course like any state-of-the-art sub it can be room corrected via USB, in this case with a third-party measuring tool. But this one is slightly unusual because it takes into account the bass output of the speakers as well as that of the sub. The demo was impressively powerful though marred by an unavoidable rattle in the room ventilation—if you want to own a sub this powerful, you may need to invest a little extra to make the room fit for it!
Barb Gonzalez | Jan 09, 2013 | First Published: Jan 08, 2013
D-Link announced a new router with StreamBoost technology for better high definition video streaming, and with a new dashboard to monitor and control your home network. The DGL5500 router is called a "gaming router" because it has low latency (no lag time) for online game play. This capability also makes it an excellent router choice for streaming movies.
You might mistake it for a high-end Blu-ray player at first glance but, no, the Parasound Halo CD 1 introduced at CES 2013 is definitely a Compact Disc player (remember those?) and it costs $4,500. Designed in collaboration with Holm Acoustics of Copenhagen, Denmark, the player uses a Linux-based computer running proprietary software and a CD ROM drive running four times the speed of a conventional CD drive to read and process data in a new way. Vast amounts of data are analyzed and read multiple times to reduce errors and, in turn, the negative effects of error concealment. The result is said to be a nearly bit-perfect data stream.
In keeping with the high-end legacy of the company's Halo line, the C1 has a heavily shielded aluminum chassis, separate power supplies for its analog and digital sections and several output options, including balanced XLR, gold-plated RCAs for analog, and digital audio via BNC, coaxial and optical connectors. A novel “Discrete OpAmp” selector offers a choice between listening to the analog outputs directly from the player’s low-noise op-amps or via discrete transistor output stages.
Lacking the high-end street cred of a boutique brand, Sony probably won't get much credit for producing the best sound of CES 2013 (at least so far) with its new ES speakers. The NA-2 tower ($10,000/pair), NA-5 monitor ($6000/pair), N-8 center ($3000), and matching sub ($4000) have the same Scandinavian-made multi-chambered birch cabinetry of the existing AR-1 and AR-2. Note the triple tweeter configuration, shown here on the center but present on all the new models. No, you're not seeing two super-tweeters flanking a tweeter, just three tweeters, though they're not the same size and are not all getting exactly the same frequencies (we'll have to get into the intricacies some other time). Fed by Pass amps and high-res sources including vinyl and DSD, the tower established an instant comfort zone with its super silky sweet top end, fatigue-free and convincing midrange, and controlled bass. In addition to today's press announcement at the Venetian, Sony is also showing the ES speakers in a 9.2-channel configuration at its gigantic booth in Central Hall.
If you want to see the future of Paradigm's Signature line, take a closer look at the 30th anniversary speakers shipping soon including the Tribute tower and Inspiration monitor. The wood veneer enclosures, a Paradigm first, will probably trickle down to Signature and the woofers come from the existing Signature. Shipping has been pushed from December 2012 to February 2013 and the originally envisioned limited run of 400 units may be increased though not much.
ADA is best known for its world-class surround separates so it's a pleasant surprise to see it getting into receivers, or as the company calls them, integrated controller/amps. The Cinema Rapture ($5000, shipping this week) musters 150 watts into eight ohms and 300 into four ohms while the Cinema Rapture Jr. (price and shipping to be determined) offers 80 watts into eight ohms and 150 into four ohms. Both use Class D amp modules of ADA's own design. They are not licensed from someone else. We can't wait to hear how they sound in our own listening room.
Morel's high-performing SoundSpot satellites have a new iteration in the SP3. It has a larger orb with a new 4.5-inch woofer that enables it to perform better at the low end, lowering the formerly 120-150Hz sub crossover to 90dB, so the sub won't have to do so much work (and call so much attention to itself). The Lotus grille pattern makes it acoustically transparent.