I love Leo Kottke's virtuoso guitar playing. Still, I hesitated to buy his album Sixty Six Steps, with bassist Mike Gordon, when Amazon specifically warned: "This Sony CD includes SunnComm MediaMax Version 5 content protection software that may expose security vulnerability when played on PCs." I don't love anyone quite enough to put a MediaMax-tainted CD into my PC. And when I rip a new CD for use in my iPod, I prefer a nice clean MP3 to the WMA-DRM format dictated by MediaMax. The iPod doesn't accept WMA files with DRM.
Good size, good price - what more could you ask for in a TV? Okay, yeah, high-definition would be nice, and Vizio's 37-inch L37 LCD set ($1,500) has that covered, too, sporting a screen with 1,366 x 768-pixel resolution.
There's something for everybody in Outlaw Audio's 7.1-channel Model 1070 receiver ($899 via Web only): Video fans will like its DVI connectors (compatible with HDMI jacks using optional adapters) that keep HDTV signals in digital form all the way to your TV.
Even if you don't see the dock connector on the side, one look at the gloss-white finish of Kensington's SX 2000 speaker ($160) will tell you that it has to be an iPod something or other. Fitting any iPod with a dock connector, the 16-inch-wide transportable speaker uses NXT SurfaceSound technology, which produces sound by vibrating a flat panel.
From the vantage point of Sony BMG'S corporate headquarters, it probably seemed like a good idea at the time. With music piracy up and profits down, it made complete sense to add some get-tough digital-rights management (DRM) to certain CDs. But what seemed smart in the corporate world led to a royal debacle in the real world.
The Mitsubishi WD-52628 is one of the best-looking RPTVs I've seen, with a bright, detailed, three-dimensional picture, deep blacks, and vivid yet natural colors. It also happens to be one of a new crop DLP rear-projection TVs on the market that use TI's new 1080p DLP chip.
Power amps get little respect in the home theater world. They're the heavy, black (or silver) boxes that sit somewhere in the dark, serving your speakers with a generous supply of power.
If you've been reading <I>UAV's</I> reviews you know that while 1080p displays are proliferating, the ability of these displays to actually accept a 1080p native signal is a rarity. And if you've been following our coverage of the next-gen disc formats you also know that DTS and Dolby have cooked up new audio formats that aren't based on the lossy compression schemes we've been living with on DVD for years. All of these developments are intertwined with the HDMI specs, as HDMI will be the carrier for both 1080p video and the new audio codecs. Here's the latest on what it all means.
Getting the best picture resolution remains one of the chief goals of HDTV shoppers. But as I explained in last month's "Tech Talk," human visual acuity limits how much detail you can see in any image, live or onscreen.
Like swimmers in some Darwinian gene pool, DVD recorders are quickly mutating to fill every possible niche. Yet as they evolve, you can count on finding a core set of features in most decks - a TV tuner, a VCR-style timer, and a handful of recording "modes" that let you trade picture quality for playback time.