I have a dedicated 400-square-foot theater room with a 7.1 surround system used entirely for movie viewing. I currently have a Pioneer VSX-1019 A/V receiver and plan on replacing it with either an Anthem MRX 700 or Arcam AVR400. I am torn between these two models. The Anthem has great room correction and video processing, while the Arcam has more power and lower distortion. I'm looking for the most enveloping sound experience.
Clint Eastwood is arguably one of the best directors in Hollywood, and even though he's in the twilight of his life, he doesn't seem to be slowing down. While J. Edgar won't be considered one of his better films, I enjoyed it a lot more than most of the critics due to the fabulous acting by Leonardo DiCaprio and the historical significance of the subject. The Blu-ray boasts an above-average video encode with solid detail and intentionally understated colors, but the DTS-HD MA 5.1 soundtrack is the true star of the show due to reference-quality imaging, dynamics, and frequency response.
Verizon and Redbox recently announced a partnership to launch a streaming/physical disc service. Yawn.
But I’ve been getting a lot of emails and questions about it recently, so maybe there’s something to it. Could it really be a contender? Could it really give Netflix serious competition?
I blew the suspense with the title, didn’t I? My bad.
If you like listening to music in the car, things just keep getting better, thanks to an explosion of technology that allows more options for taking your tunes on the road.
I am looking to buy a TV for my sun room, which is 18x20 and has two 6x4 windows on three of the four walls, with the fourth wall facing the inside of my home. The TV would be located on this fourth wall. The room does get a lot of sun, but all the windows have blinds that can be closed fully to block out all meaningful direct sunlight, although some indirect sunlight does seep through.
I'm thinking about getting the Panasonic TC-P55VT30, but I'm concerned about any plasma TV's ability to deal with the brightness of this room during the day. On the other hand, also important is off-axis viewing, which is a plasma strength and an LCD weakness. Will the plasma wash out during the day even with the blinds closed due to the seeping/indirect sunlight? If so, what LED-LCD would you recommend, since I assume all plasmas would have the same issue? If there is a plasma that would not suffer this issue, I would welcome that name also.
Few audio companies are as closely associated with a single individual as Pass Laboratories is with its founder Nelson Pass, a man who has always blazed his own path when it comes to designing audio gear. Pass founded Threshold Electronics back in the early 1970s, but when he wanted to explore new, simpler circuit topologies in the early 1990s, he created Pass Labs as a way to market his latest creations.
The two integrated amps in the Pass Labs line, the INT-150 and INT-30A, are a good example of his less-than-conventional approach, seeing as both appear to be identical except for the critical question of output power. Physically the two amps are indistinguishable, with exactly the same functions, weight, dimensions, and even price tag. It’s only when you take a peek at the spec sheet that the differences become apparent, with the INT-150 delivering a healthy 150 watts per-channel, while the INT-30A tops out at just one-fifth that amount.
So what gives? Why would anyone buy an inline four when they’re offering you the V-12 for the same money?
Few audio companies are as closely associated with a single individual as Pass Laboratories is with its founder Nelson Pass, a man who has always blazed his own path when it comes to designing audio gear. Pass founded Threshold Electronics back in the early 1970s, but when he wanted to explore new, simpler circuit topologies in the early 1990s, he created Pass Labs as a way to market his latest creations.
The two integrated amps in the Pass Labs line, the INT-150 and INT-30A, are a good example of his less-than-conventional approach, seeing as both appear to be identical except for the critical question of output power. Physically the two amps are indistinguishable, with exactly the same functions, weight, dimensions, and even price tag. It's only when you take a peek at the spec sheet that the differences become apparent, with the INT-150 delivering a healthy 150 watts per-channel, while the INT-30A tops out at just one-fifth that amount.
So what gives? Why would anyone buy an inline four when they're offering you the V-12 for the same money?
Sadly, I’m old enough to remember when the mark of a tech-savvy traveler was a hand-wound folding alarm clock. So, apparently, is someone at Geneva Lab, a company known for making stylish, capable — and pleasingly plump — iPod docks. The Lab’s new XS Bluetooth speaker/FM radio/alarm combines styling cues from the company’s larger systems and from classic analog travel clocks.
As a musician, I've played for a number of modern-dance performances and classes, including classes taught by members of the renowned Bella Lewitzky Dance Company. So when I learned that Wim Wenders, director of Buena Vista Social Club, made a 3D movie about the late modern-dance choreographer Pina Bausch and her Tanztheater Wuppertal troupe, I had to check it outespecially since Pina has been nominated for an Academy Award as the best documentary feature of 2011.
Companies that sell in-ear monitors seldom talk much about the technologies inside their products. But they should, because there are big differences between the ~$20 Philips and Skullcandy IEMs you buy at Target and the ~$200 models you get from Etymotic or Shure.