Clearly, everything is spinning out of control. More specifically, the End of Days has finally arrived. Exactly as predicted in the Bible, we're seeing foul and loathsome sores, water turned to blood, scorching sun and intense heat, total darkness and great pain, and preparations for the final battle between good and evil.
It’s that time of year again when the undead walk the earth. But along with ghosts, vampires, and zombies, another partially animated entity haunts us: Blu-ray players in need of a firmware update.
Lightning McQueen (voiced by Owen Wilson) heads overseas to compete in the first-ever World Grand Prix to determine the world's fastest car, and his quirky friend Mater (Larry the Cable Guy) is along for the ride. While attending the pre-race party, Mater is mistaken for a secret agent by the master British super spy Finn McMissile (Michael Caine) and his partner, Holly Shiftwell (Emily Mortimer). Can the redneck tow truck help his best friend win the Grand Prix while fighting the forces of evil?
I've pretty much loved everything Pixar has released, but I have to admit that Cars was my least favorite of its movies. Maybe it's because I'm not a grease monkey or a NASCAR fan, but I never really connected with the story. After hearing the negative reviews of Cars 2, I didn't exactly have high hopes for this one. While it isn't a great movie, I did find myself entertained, and the spectacular 3D visuals certainly helped. Furthermore, the DTS-HD MA 7.1 soundtrack features everything you want from a Pixar titlegreat sound design, plenty of dynamic range, and a plethora of discrete effects.
When Atari's Greatest Hits made its way into the App Store this past April, retro-oriented gaming geeks worldwide - especially those who'd never been quite geeky enough to seek out ROMs to run on the open-source MAME (Multiple Arcade Machine Emulator) - rejoiced.
2D Performance 3D Performance Features Ergonomics Value
Price: $3,700 At A Glance: Deep blacks • Accurate 2D color • Outstanding brightness
Sony’s VPL-HW projectors go back a few years, with steady model-to-model refinements. Last year it was the VPL-HW20; this year it’s the VPL-HW30ES. Note that the HW30 now carries Sony’s premier ES designation. But there’s more than that to account for its price premium over the VLP-HW20. Not only does the new model build on its predecessor’s already excellent 2D performance, but it’s also 3D-ready, using active shutter glasses you can purchase separately along with an external 3D emitter. Or if you prefer your projector to be 3D-capable right out of the box, you can purchase it with two pair of model TDG-PJ1 glasses and the TMR-PJ1 emitter included as the VPL-HW30AES for $4,000.
I predict that 2011 will be for audio what 1962 was for the art world. In 1962, Andy Warhol's first solo shows in Los Angeles and New York swept away the prevailing aesthetic ethos of the era, demonstrating to the world that a Brillo pad box could be a work of art.
I predict that 2011 will be for audio what 1962 was for the art world. In 1962, Andy Warhol’s first solo shows in Los Angeles and New York swept away the prevailing aesthetic ethos of the era, demonstrating to the world that a Brillo pad box could be a work of art.
I predict that 2011 will be for audio what 1962 was for the art world. In 1962, Andy Warhol’s first solo shows in Los Angeles and New York swept away the prevailing aesthetic ethos of the era, demonstrating to the world that a Brillo pad box could be a work of art.
Drew Major, co-founder of Novell and Move Networks and now CTO of EchoStar Advanced Technologies, gets geeky about the underlying technology of video streaming, wired versus wireless connections, his invention of adaptive-rate video streaming, meetings with Steve Jobs, the future of IPTV and his conviction that it will eventually supplant broadcast TV, answers to chat-room questions, and more.
It's really hard to feel sorry for any of the major cable providers. Shout out if you absolutely love your cable company. Anyone? So, when Time Warner Cable announced a significant drop in subscribers and a corresponding decline in their earnings last quarter, you didn't see a lot of crocodile tears. In fact, anyone who's spent an hour or five dealing with cable customer service will likely feel at least a bit of glee to hear about TWC's corporate woes. But what does this say about how we're all watching TV?