The Internet has had a profound impact on literally every aspect of our lives and it continues to transform the mobile/home entertainment space we know and love in ways we couldn’t have imagined 30 years. (Who could have envisioned streaming from “the cloud” or playing music wirelessly from a phone at a time when cassettes and LPs were being rapidly replaced with CDs?) We’re connected to and rely on the Internet every day, yet we take it for granted. It’s just there. It’s a routine part of daily life.
The era of VR is here, finally, with the Oculus Rift and the HTC Vive are leading the charge. I’ve tried several generations the Oculus Rift and while it’s amazing, the Vive goes one step further. Literally.
Using laser tracking, the Vive lets you actually move around a virtual space.
I got my hands (and head) on one. Here’s the first part of a multi-part review series.
Prior to a decade ago, having distributed music around your house usually meant calling a custom installer to put in hundreds of feet of cable, multiple pairs of in-ceiling or in-wall speakers, and racks of amplifiers. You’d get keypads on your walls that could control, just barely, your distant sources via IR. There was no metadata feedback to select a particular song; you might have been able to advance to the next track on your CD player or dial up a different preset station on your FM tuner, but not much more. The cost for this was, well, prohibitive. Multiroom audio, for a long time, was strictly a rich man’s game.
When you hear the term wireless speakers, chances are you think of Sonos. There’s good reason for that. Sonos staked out the wireless speaker category early on, establishing a solid product line known for reliable performance, engaging sound, and a user-friendly app that controls speakers in multiple rooms around the home. It also didn’t hurt that Sonos had the marketing budget in recent years for Super Bowl commercials—not exactly something that audio manufacturers are known for doing.
The audiocassette killed the LP. The Compact Disc killed the audiocassette. Downloads have all but killed the CD. And it looks increasingly as if streaming is killing downloads. Yet vinyl resurges, confounding the wing of audio punditry that has long asserted its flaws ought to make it stay dead. Me, I love good analog as much as I love good digital, and I also love the tactile experience of handling LPs. Once in a while I pick one off the shelf and marvel at what a beautiful artifact it is. Following are some of my favorite LP artifacts, with emphasis on unusual design and manufacturing gimmicks that make them especially pleasing as physical art objects.
In June 1957, Soviet spy Rudolf Abel is captured in New York City. Insurance attorney James B. Donovan is appointed to handle the defense, based on his experience at the Nuremberg War Crimes Trials. Reluctant to take the case at first, Donovan ultimately accepts, passionate in his belief that everyone deserves a fair trial.
Richie Lanz (Bill Murray) is a rock ’n’ roll casualty, a down-and-out band promoter who leaps at the chance to join a USO tour to Afghanistan. Before the first show, however, Richie’s client, assistant, and possible paramour Ronnie Smiler (Zooey Deschanel) flees the country, leaving him broke, stranded, and $1,000 in debt to a trigger-happy mercenary (Bruce Willis). To the rescue come two hapless arms dealers who hire Richie to deliver munitions to a remote village.
Napster, the notorious Internet-based peer-to-peer file sharing service made its debut 17 years ago this week, forever changing the way we discover and share music and (ultimately) forcing the record industry to face the music: The Internet wasn’t going away and (with the help of Apple) would radically transform music distribution.