Cambridge Audio is a British electronics maker with a long-running dedication to serious audio (minus the silly-expensive audiophile pricing) and a long-running commitment to quality digital playback. So, when the company first previewed a network music player in late 2010, it got my attention.

Alex Frisch

My review sample of the Harman Kardon BDS 5 Blu-ray receiver arrived shortly after the death of Dr. Sidney Harman. Let’s take a moment to celebrate the life of one of the audio industry’s founding fathers. Harman and partner Bernard Kardon pioneered the A/V receiver category in 1954 with the Festival D1000, the first audio product to combine the functions of a mono power amp, preamp, and radio tuner. The stereo version, the Festival TA230, arrived shortly afterward. By the time Harman retired in 2008, A/V receivers were wearing his name. Harman International eventually became an audio empire, not only continuing the Harman Kardon brand, but also encompassing JBL, Infinity, Lexicon, Revel, Mark Levinson, and others. Harman was a renaissance man: an activist, philanthropist, professor, and public servant, the quintessential tough businessman with a heart of gold.

Tim Burton's The Nightmare Before Christmas is an unusual film that improves with multiple viewings. Burton cleverly mixes Halloween and Christmas with fabulous set designs and stop-motion photography, creating a whimsical world in which to tell his story. The film was rereleased to theaters in 2008 with a 3D conversion utilizing the talents of Don Hahn and ILM (Industrial Light and Magic). As explained on Mouseclubhouse.com, they used the original film for the left eye and they projected it onto a featureless piece of geometry that looks like a coffee cup. Then the camera was moved to the right three inches and re-photographed. Any gaps are then filled in via Photoshop and the resulting image is outstanding. I loved the original 2D release of the film for its fine visuals and enveloping soundtrack, but this 3D version takes it to a whole new level.