LATEST ADDITIONS

Darryl Wilkinson  |  Apr 02, 2007
IBM is showing off a prototype optical transceiver chipset that's capable of reaching speeds at least eight times faster than other optical components available today. The new tiny gizmo moves information at 160 Gigabits - that's 160 billion bits of information for the techno-term-challenged - per second. Such speediness is accomplished not by using wires, but by using light.
Darryl Wilkinson  |  Apr 02, 2007
Axiom Audio says its new EP400 powered subwoofer is designed for maximum bass output in smaller rooms. The sub itself is relatively small, measuring 13.75" high and 10.5" wide, but it's supposed to be capable of generating an in-room SPL of 116 dB and a low-end response of 23 Hz. The sub was designed primarily for use in small rooms, such as bedrooms, dens, or home offices. (It's probably not appropriate for bathrooms, where you really don't want to see another bottom end.)
Darryl Wilkinson  |  Apr 02, 2007
Sony took the lens caps off of two new front home theater projector bargains last week.
Mark Fleischmann  |  Apr 02, 2007
The news that EMI will sell no-DRM downloads through iTunes couldn't have come at a better time. Music downloads are growing but not fast enough to offset sinking CD sales. Electronic libertarians assert that digital rights management is a big part of the problem, because it balkanizes the music-player world, preventing iTunes purchases from playing on non-iPods. Steve Jobs flew to London especially to join EMI in announcing that the big label's entire catalogue will become available in AAC, the iPod's favored file format, without DRM, and at 256 kilobits per second, which should provide higher quality than either MP3 at the same data rate or standard iTunes downloads at 128kbps. You'll have to pay a premium price of $1.29 per track. And if your music player doesn't do AAC, you're out of luck. However, EMI will cover those bases by selling through other download services in MP3 and WMA. For law-abiding music lovers, this is great news. Note, however, that this move is more a breakthrough in marketing than in law. EMI and Apple aren't saying you can copy anything anywhere. But it would be fair to interpret this as tacit recognition of reality--the beginning of the end of the criminalizing of fair use. It has been at least several months in the making, following the anti-DRM manifesto of Jobs and small-scale experimentation by EMI. No word on when the Beatles catalogue will become legally downloadable. Yet.
Josef Krebs  |  Apr 01, 2007

(Paramount) Clint Eastwood's cinematic debunking of wartime heroism makes for a terrific home theater experience. The clear, crisp, and bright DVD picture has depth and detail to burn, even in the many nighttime scenes. Although the combat images are tinted like old photographs, bursts of orange flames cut through the sea of green and brown when the big guns blast.

 |  Apr 01, 2007

Sony issued a press release last week announcing that the latest James Bond film, <I>Casino Royale</I>, has hit another milestone, surpassing 100,000 units shipped to retailers. This follows that same title's debut in the top ten in DVD sales at Amazon, and both feats are firsts for either HD format. In addition, according to Sony this early success also puts BD ahead of where DVD was at its inception.

Thomas J. Norton  |  Apr 01, 2007

We haven't spent a lot of review time here at <I>Ultimate AV</I> on two major trends in speaker design. One of them is euphemistically referred to in the industry as "architectural speakers." That is, speakers designed to be mounted either in or on a wall. The other, an outgrowth of the on-wall category, is the tall, slender column speaker that takes up little floor space.

 |  Mar 31, 2007

Comcast came in on Tuesday and while I haven't been able to bury myself in my theater room as much as I'd like I've seen enough to know that my fear and loathing regarding Comcast's HD image quality was for naught. I'm not 100% clear on where Comcast stacks up with DirecTV in HD image quality yet in absolute terms, but I've seen enough to know that it's far from the disaster I'd feared. But, that's with me going into the set-top box's service menu and double-checking the settings to get them right. Lemme explain.

Mark Fleischmann  |  Mar 30, 2007
A California superior court ruling saved Kaleidescape from extinction yesterday. The decision is good news for what is arguably the best-designed home networking system for movies and music. But it is bad news for similar products, and those who might want to market or buy them, because it spares Kaleidescape only on a technicality, and does not necessarily set a precedent that would protect similar devices. The plaintiff was the DVD Copy Control Association, which argued that Kaleidescape illegally de-encrypted its Content Scramble System in copying DVDs (including potentially rented or borrowed ones) to the system's hard drive. Kaleidescape argued that the material remained secure on the hard drive and was distributed throughout the home via protected interfaces such as HDMI. Judge Leslie C. Nichols ruled against CCA, saying that the CSS spec was not legally part of the licensing agreement, which he characterized as "a product of a committee of lawyers." You can't make this stuff up. He also faulted CCA for failing to provide guidance when Kaleidescape solicited it: "I saw this as a case where no one sat down to talk." Kaleidescape feels "vindicated"; CCA may appeal. CCA's lawsuit against Molino Networks, whose $2000 system cost far less than Kaleidescape's, killed that company in 2004 by starving it of venture capital. The Motion Picture Association of America has "warned" about 80 chip makers about CSS and obtained three out-of-court settlements. Your right to store DVD content on a home network remains ambiguous at best. See EETimes and ArsTechnica coverage.

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