On Friday of last week (Oct 24 or “Devolve Friday” as it’s now known), visitors to the Revolv website were treated with the following headline: ”We want to share some exciting news with you. Revolv is now a Nest company.” Wow! Considering that Nest — the maker of the hugely popular Nest Learning Thermostat and the less-popular Nest Protect smoke/CO alarm — has one of the biggest corporate sugar daddies in the world (i.e., Google), that’s incredibly exciting news. As I stated in a recent review of the Revolv Hub Home Automation Controller: “The Revolv Hub is a powerhouse that looks to be relatively future-proof from a hardware standpoint. A great choice for a newbie.” With the crazy amount of money Google/Nest could throw at it, Revolv could evolve into the epitome of a smart home system hub.
Moving down the Revolv home page, however, readers soon discovered that the exciting news is actually...
Typically at Sound &Vision, we review serious products, for serious listeners, tending to shy away from gimmicks. Every once in a while, however, a product shows up on our doorstep that looks like it might be a toy, but deserves a closer look. The Yantouch Diamond+ Bluetooth speaker with an amazing light display is one such product.
AT A GLANCE Plus
Warm, tubey sound
Headphone impedance switch
New York born and bred
Minus
No DAC
Too polite for some
headphones
THE VERDICT
Woo Audio’s WA6 is a Class A headphone amp whose glowing tubes are voiced to warm up any headphones.
The glow of vacuum tubes has fascinated me all my life. When I was a kid, my parents bought a Magnavox console TV with a built-in phonograph and AM/FM radio, the early-1960s equivalent of a home theater system with all the trimmings. It stood on 18-inch legs, and I loved to crawl under it, lying on my back to stare up into the orange glow of the tubes. My first few audio systems were solid state, but a cadre of die-hard audiophiliacs never really gave up on tubes. Now they’ve also wiggled back into my life and onto my desk, where the Woo Audio WA6 headphone amplifier sits, with three glowing obelisks keeping the retro audio flame alive.
I got a good belly laugh as I was proofreading our Perfect Focus section for the November print issue. I’d just finished putting together our Letters section, in which I’d responded to a reader inquiry about Dolby Atmos with one of my usual geeky diatribes. Then I turned to Perfect Focus and saw...
Marantz has announced that a fee-based firmware upgrade for the new Auro-3D surround-sound format will be available for its SR7009 receiver (shown, $1,999) and the AV7702 preamp/processor ($1,999) in early December. Both models have built-in Dolby Atmos surround sound processing.
Q Are there any AV receivers available that provide crossover frequencies assignable by speaker type in a surround sound system? Say, 60 Hz for the fronts, 80 Hz for the center, and 100 Hz for the rears? —Jason BF
The annual Rocky Mountain Audio Fest was held in early October in the Marriott Hotel at the Denver Tech Center. For at least the past 10 years this has been the biggest of the many audio shows now jostling for position around the U.S. Depending on who you ask, the Newport Beach (CA) show, held in June, is nipping at its heels but isn’t quite there yet.
Manufacturers (not to mention the press) must be tearing what’s left of their hair out trying to support all these shows, which now include RMAF, Newport, (northern) California, Chicago, New York City, Washington D.C., and Toronto. Let me know if I’ve missed one! And this doesn’t even include the trade-only CES (and, for some, CEDIA EXPO). For small manufacturers this is a major expense, and many of them only attend one or two. If they support two, it’s most likely they’ll include RMAF and CES).
Unlike many present-day audiophiles I keep one foot in the audio/video world of home theater and surround sound and the other in the 2-channel world of high-end audio. I regret that multichannel, even for music alone, remains anathema to many audio fans. As for film sound, for many that’s clearly the spawn of the devil...
At its best, science fiction sparks the imagination, inspiring the question, “What if…?” And in the world of cinema, this enthusiasm gives way to conjecture, even debate: Remember the decades of geek chatter about the version of Blade Runner that might have been, eventually leading to Ridley Scott’s Final Cut? We come away from Frank Pavich’s remarkable documentary Jodorowsky’s Dune with that same excitement. The second half of that title is no doubt familiar, either as Frank Herbert’s seminal novel or as the much-reviled 1984 film by David Lynch that it eventually became. The first part, not so much: Chilean-born filmmaker Alejandro Jodorowsky is perhaps best known for the surreal Western El Topo, widely considered the first “midnight movie” for its offbeat appeal.