LATEST ADDITIONS

I think there were nine stories in this store in Tokyo's Electric Town area. One floor had a Tower Records on it. Another floor had musical instruments, toys, and yet another record store. If you can't find it here, you can't find it anywhere.

Here's a BluRay drive you can stick in your computer. At $Yen 99,800, less the 10% the store was offering you if you opened up a charge account (I'd be lost reading my monthly statement!), you can have it for about $750. It burns single and dual layer Blues at a 2X rate that'll have you saying, "Wow – this sure is slow!"

Starting last week, I've been trying to explain the new Dolby and DTS surround codecs little by little. The reason each camp is hawking two new codecs for HD DVD and Blu-ray is that one is lossless (Dolby TrueHD, DTS-HD Master Audio) and the other is lossy (Dolby Digital Plus, DTS-HD High Resolution Audio). Lossless codecs reconstruct the original signal without discarding data; lossy ones use perceptual coding to discard the least important data, achieving greater efficiency in a limited bit bucket. Together these formats represent the first qualitative step forward for surround sound since the ill-fated debuts of DVD-Audio and SACD. High-res surround is baaack! Here are the basics on Dolby TrueHD, Dolby Digital Plus, and how they're supported in BD and HD DVD. DTS devotes a whole new website to the two new DTS-HD codecs including heaven-sent wiring diagrams. Has anyone mentioned to you that DTS Encore is simply a rebranding of DTS 5.1 and DTS-ES 6.1? You'll find it only on software packaging. There, I'm glad we've had this little talk.

The SED demo included this puppet performance (this is a direct shot of the live action, not a screen shot from the SED) so we coulde compare live vs Memorex.