The view here, as you can see, is merely of the top of my head. Yes, it’s your humble Entertainment Editor with his humble Reporter’s Notebook, covering the 2006 South by Southwest Music Festival. And who are those two tykes? They’re band members,...
You can watch it in France, you can watch it in Spain but you can’t watch one of America’s greatest masterpieces on DVD in America — not unless you import it and buy a multi-region player too. Where the heck is my The Magnificent Ambersons DVD? ...
Not always, really, but a lot. So I like it when people start talking about something I consider important but largely overlooked — color, for example. Maybe we take color for granted, or maybe it’s just too vague. The things people get hung up...
AT&T says it will become the first Internet provider to block pirates from using its network. The promise emerged two weeks ago at the Digital Hollywood Summit.
Now here's the kind of of re-release I think we can all get behind. It's no secret at all that longtime DVD demo favorite, Luc Besson's <I>Fifth Element</I>, was released early on Blu-ray in a transfer that was shockingly poor. Sony is essentially admitting it was wrong (excuse me, I think I just saw a pig fly by my window), and is re-releasing <I>Fifth Element</I> on Blu-ray on July 17th and is offering an replacement program for people who bought the original Blu-ray Disc.
After my recent Blog criticizing the Blu-ray transfer of <I>Blood Diamond</I> and speculating bit budget was to blame, Microsoft's HD DVD Evangelist (that's his job title, not an editorial comment!), Kevin Collins contacted me to point out some facts that contradict my theory of the bit budget for the HD DVD restricting the image quality of both the Blu-ray and (pending) HD DVD releases.
<B><I>In a special guest Blog, erstwhile Stereophile and UAV contributor Barry Willis remembers Randy Tomlinson, his friend of over 25 years...</I></B>
