AT A GLANCE Plus
Z-Wave and ZigBee radios built in
In-app live chat support
Supports multiple third-party devices and services
Minus
Doesn’t support Insteon
No tablet-specific app layout
THE VERDICT
The SmartThings Hub offers an impressive range of support, its app is powerful and smartly designed, and it’s a great value.
As with all up-and-coming DIY home automation systems, the SmartThings Hub is intended to make your life a living nirvana, bringing peace, love, and, yes, even rock ’n’ roll (grunge or otherwise) into your smart home. The $99 price—with a free app and no monthly subscription fees—is certainly a tasty enticement for someone with a sweet tooth for home automation on the cheap. But the big question is whether there’s enough meaty substance to the SmartThings system to satisfy a homeowner’s long-term automation hunger. Or does SmartThings give nothing more than a sugar high that inevitably leads to a disappointing crash later on?
AT A GLANCE Plus
Seven radios built in
Extremely easy initial setup
Minus
Pricey next to other DIY automation hubs
Lacks some advanced programming features
THE VERDICT
The Revolv Hub is a powerhouse that looks to be relatively future-proof from a hardware standpoint. A great choice for a newbie.
Humble isn’t a word anyone would associate with Revolv and their distinctive, teardrop-shaped, little red smart-home controller—which the company calls, with uncharacteristic restraint, the Hub. In fact, this device is easily the flashiest and most recognizable of all the smart home gadgets around today.
To commemorate the 10th anniversary of its release, Oliver Stone returns once again to his much maligned and misunderstood epic. This is officially the fourth cut of the film, but before you grouse, hear me out. The progression follows thus: The original Theatrical Cut was Stone’s epic vision pared down to a marketable length to appease the studio executives; the Director’s Cut was the result of Stone yielding to pressure to appease the masses and their aversion to the film’s blatant homo-eroticism; and the Revisited Final Cut was a tenacious filmmaker getting the chance to finally realize his passion-project in the version that he originally intended audiences to see. What’s curious, though, about this new Ultimate Cut is that it differs only slightly from the Revisited Final Cut and runs just eight minutes shorter.
High-resolution audio is getting a big industry push, but until now the category has labored without a definition. The Digital Entertainment Group, the Consumer Electronics Association, and The Recording Academy have teamed up to offer one. They define what they call Master Quality Recording in four ways: MQ-P audio comes from a PCM source with minimum 48/20 resolution, but “typically” is 96/24 or 192/24 in today’s download services. MQ-A is from an analog source, and high-quality analog can still be deemed high-res. MQ-C grandfathers in CD-quality 44.1/16 audio. And MQ-D refers to DSD sources. Taken together, these categories define high-res audio somewhat broadly. Even so, they may give the informed consumer a better idea of what he’s buying (for those of us who still buy music).
The proposed merger between AT&T and DirecTV would create the nation’s second largest pay-TV company. With the telco bringing 5.7 million U-verse subscribers to the table, and the satellite operator a considerably greater 20.3 million, the merged entity would have 26 million video subscribers, ranking just below the proposed merger of Comcast and Time Warner Cable with 30 million subscribers.
The cartoon above is only one of many from cartoonist Charles Rodrigues (1926-2004), who contributed to this magazine in the 1970s and 1980s (the mag was then known as Stereo Review). A favorite audiophile parody of an equipment report from Stereo Review’s iconic reviewer Julian Hirsch states, “Of all the amplifiers I have reviewed, this was definitely one of them.” Nevertheless, we all enjoyed Rodrigues’ take on our then, as now, crazy business.
But the cartoon here also heralded a problem that has fallen on the high-end audio industry, a problem also shared, though to a lesser degree, by the home theater business: eye-watering prices.
Pioneer has announced that a free firmware update enabling Dolby Atmos surround sound on three Elite SC receivers is now available for download at pioneerelectronics.com. The update applies to the SC-85 ($1,600), SC-87 ($2,000), and SC-89 ($3,000) 9.2-channel AV receivers.
AT A GLANCE Plus
Serious drivers and power
AirPlay, Bluetooth, DLNA
Cool retro styling
Minus
Some connectors inconveniently located
Bright tonal balance, though adjustable
THE VERDICT
JBL’s Authentics L16 is a powerful-sounding triple-threat wireless speaker system—oh, and it’s got a phono input.
If you’re the type who likes to order the biggest hero (hoagie, grinder, po’ boy, or submarine depending on where you live) sandwich you can find with everything on it, JBL’s Authentics L16 may be just the wireless speaker for you. At more than 2 feet wide, it’s a big mama jama. And its wireless connectivity is all-embracing. In addition to a direct device-to-device Bluetooth connection, the L16 supports both Apple AirPlay and DLNA via Wi-Fi, for streaming from just about any smartphone, tablet, or computer. It’s also got the retro angle covered, with cubed sculpted-foam grille cosmetics.
Onkyo today announced that the firmware update enabling Dolby Atmos sound on three of its network AV receivers is now available. The free update is available via a network connection or USB download for the TX-NR636 ($699), TX-NR737 ($899), and TX-NR838 ($1,199) receivers. The NR636 and NR838 models are Sound & Vision 2014 Top Picks.
Mini T Speaker System Performance Build Quality Value
Mini T Subwoofer Performance Features Build Quality Value
PRICE $8,881
(as tested)
AT A GLANCE Plus
Outstanding sonics and dynamic ability
Impressive bass extension from Mini-T alone
Made in Canada, not
overseas
Minus
Requires substantial
amplifier power for best performance
Classic boxy designs won’t thrill everyone
THE VERDICT
They’re big, boxy, and expensive, but these speakers are world-class performers, top to bottom.
Bryston’s new Mini T loudspeakers spoke to me early, even before I’d fully wrestled them out of their imposing, oversized packaging. And what they said was, “We were designed by guys who don’t give a hamster’s hindquarters for new-age cosmetics, ‘breakthrough’ transducers, or 21st-century styling: We’re old school!”
For the record, Bryston Ltd.—based in the small Canadian city of Peterborough, an hour or so east of Toronto—has for decades produced some of the world’s preeminent power amplifiers (also preamps, surround processors, and even the odd integrated amp), impeccable performers built to a standard of brick-house quality seldom bettered, and warrantied accordingly. If you wanted vast reserves of current, bulletproof design, road-ready ruggedness, and genuine craftsmanship, Bryston fit the bill.