One of Home Theater Geeks' most requested return guests, Gene Dolgoff, talks about his invention of digital projection and its benefits over CRT, including much greater brightness and efficiency. He also explains his more recent work on advanced 3D compression algorithms that can transmit full 1080p resolution for each eye using the standard broadcast bandwidth and discusses the problems inherent with current 3D technology, ending with a tantalizing glance at the possibility of using holography for next-gen 3D displays.
I bought a new Sony Blu-ray player with an HDMI output that I want to connect to an older Mitsubishi HDTV that only has component and composite inputs. I've seen HDMI-to-component converters on the Internet, but will they improve the picture quality over just staying with the Blu-ray component outputs?
Price: $2,499 At A Glance: Rated 90 watts x7 with all channels driven • Dolby Volume reconciles dialogue and effects • First 3D-compatible Arcam A/V receiver
Daddy, Am I High End?
What exactly is a high-end A/V receiver? Is it the most expensive and feature-rich model in a manufacturer’s line? Is it a model with power specs above a certain level? Is it a model that sells above a certain price point? Is it any model from a manufacturer with a high-end pedigree? There are some who insist the phrase “high-end A/V receiver” is a contradiction in terms. Before we split any more hairs, let’s all favor that kind of person with a dirty look. Under certain circumstances, it might be OK to throw a martini in his smug little face.
Okay, I am now in the grip of Scott terror! I have a wonderful opportunity to buy several televisions for my home, and I have listened to your moments with Leo Laporte (which are just the best!) and read what you've written. As I see it, your recommendation
is first plasma (if conditions permit) and second LED LCD. But I'm not sure if you prefer LEDs around the edges of the screen or full LED backlighting.
The CD is dying. iPod sales are declining. More and more, people are getting their music from … well, everywhere: MP3s stored on a hard drive, Internet radio and music services like MOG, Pandora and the recently hyped Spotify.
When soldier Captain Colter Stevens (Jake Gyllenhaal) wakes up in the body of an unknown man, he discovers he's part of an experimental government program called the "Source Code" that enables him to assume another man's identify in the last eight minutes of his life. Armed with the task of identifying the bomber of a Chicago-bound commuter train, Colter must re-live the incident over and over until he can solve the mystery and prevent an even deadlier second terrorist attack.
I was eagerly looking forward to giving this one a spin, and it more than met my expectations. It's nonstop action from start to finish, and Gyllenhaal has great screen presence as the troubled hero. Not only was I wildly entertained, but the DTS-HD MA audio track is outstanding and worth the price of admission all by itself. But don't get your hopes too high for the video encode, which isn't anything to write home about.
Gregg Loewen and Michael Chen, well-known video calibrators and instructors of the THX video-calibration course, talk about teaching the THX course in China, the importance of setting a TV's basic picture controls, the problem of calibrating for a broadcast source such as satellite or cable, the ups and downs of color-management systems, different types of calibration meters, the importance of educating calibration clients, answers to chat-room questions, and more.