LATEST ADDITIONS

Scott Wilkinson  |  Sep 07, 2011
Joining the recently announced VPL-VW30ES—which we received for review just before we left for CEDIA—is the new VPL-VW95ES. Among its features is a 2D anamorphic mode and Picture Position, which lets you store various focus and zoom settings for different aspect ratios. The SXRD panels provide multi-zone alignment, and an advanced iris offers up to 150,000:1 of dynamic contrast. In the realm of 3D, the VW95ES provides an integrated IR transmitter, 2D-to-3D conversion, dynamic lamp control for greater brightness in 3D mode, and the ability to adjust 2D and 3D separately.
Scott Wilkinson  |  Sep 07, 2011
After Belkin's first attempt at a wireless HDMI system several years ago—which never got off the ground—the company is trying again with its new ScreenCast AV4. The system uses the 5GHz radio band and consists of a transmitter, shown here in the lower right, and a receiver (upper left) that can be up to 100 feet away in the same room. The transmitter has four HDMI inputs, which are selected with the included remote, and it can pass full-resolution 1080p and 3D signals. Available this fall, the list price is $249.
Mark Fleischmann  |  Sep 07, 2011
Atlantic Technology's Peter Tribeman was in no mood to mince words about the divergence of the video and audio industries. TV makers, he declared, "have thrown our industry under the bus." The occasion—and the solution—is a soundbar with killer bass that will "take the den and the livingroom back for the audio industry."

Bob Ankosko  |  Sep 07, 2011
Home theater is in your blood. You crave the latest and greatest gear and are constantly thinking about your next upgrade. You can’t resist tinkering. Impossible. You’re regularly chastised by family members for monopolizing the remote, ready to tweak the sound or picture at any moment—and get reprimanded often for doing so just as the opening credits start to roll. Glaringly bright images, lopsided sound, flabby bass—these are things that make you cringe. There’s no getting around it: You’re hard core, and no one is going to stop you from dreaming about quitting your day job to design and build insane home theaters.
Michael Berk  |  Sep 07, 2011

A couple of weeks ago, I dropped by an active/passive 3D TV shootout held by LG as part of their effort to publicize the benefits of their passive 3D approach over competing active-shutter systems. LG has survey research data showing that some 80 percent of viewers choose their passive 3D system over any of their competitors' active sets, when asked about color, picture quality, brightness, and comfort of glasses. Format war over?

Brent Butterworth  |  Sep 07, 2011

When I got the press release for the new InTune in-ear headphones from Fuse, it made me think: How is any particular genre of music supposed to sound? And does it already sound that way, or do you have to do something to it to make it sound like it’s supposed to?

The InTune headphones inspired this question because they’re available in four varieties, each tuned for a certain type of music: red for rap and hip-hop, orange for rock, blues and country; blue for jazz and classical; and green for pop and easy listening.

Kim Wilson  |  Sep 06, 2011
Treat your room right, and it’ll treat you the same.

If you’re serious about your home theater, you’ve probably spent a lot of time agonizing over what gear to buy. But what about the room itself? Even with extremely high-end gear, you can’t achieve optimum audio performance without paying attention to the acoustics. Without room treatment, expensive speakers can sound awful, but even moderately priced speakers in a properly treated room can sound terrific. Some experts even say the speaker system and electronics contribute only 50 percent to your system’s overall sonics—with the room responsible for the other 50 percent. If you’re not factoring in acoustics, your system might sound only half as good as it could—and should.

Michael Berk  |  Sep 06, 2011

Traditionalist jazz trumpet titan Wynton Marsalis and British blues-rock guitar master Eric Clapton may have begun their careers very differently, but as both men have made the transition to elder statesmanship they've repeatedly reaffirmed their love for and dedication to the blues forms that gave rise to jazz and rock in the first place.

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