In a basement in 1975, back when turntables were big business and Linda Ronstadt ruled the airwaves, three friends started Definitive Audio (definitive.com, 206-524-6633). In its early days, the high-end store sold two-channel gear by the likes of Mark Levinson and Magnepan. There was no video.
Handheld Helpmates97855043214LongitechMX Air MouseThe fall season is a great time to take inventory of your tech stuff - whether the idea is to buy new headphones or upgrade your laptop.
You're enjoying a lovely evening in the park - sandwiches and softball. A nice-looking kid comes over and offers to sell you an iPod for $100. You're reluctant, but it's a really sweet deal. You agree. The next day, you find out you've bought stolen goods. Congratulations! You're a business partner in the latest crime wave: stolen MP3 players.
Until recently, in-wall speakers were the last choice for anyone who cared about sound quality. Now, thanks to improved technologies and the entrance of major speaker brands into the burgeoning "architectural audio" category, in-wall (and ceiling) speakers are legitimate alternatives in rooms where you either can't or don't want to use freestanding models.
In-wall speakers have come a long way since the first models, which were essentially re-purposed car-stereo speakers. That dramatic improvement over the past decade is due largely to the boom in "architectural" audio products driven by the advent of flat-panel TVs, any-room home theater systems, and whole-house audio.
Although I'm a little embarrassed to admit it, I was a high-school A/V geek. Some kids go out for track or baseball, others for student theater. But I, along with my (still) best friend Burt, found my haven in a small interior office full of rolling TV carts and overhead projectors.
Q. For a home theater in my basement, I have a room that measures 16 feet wide by 27 feet long. I'd prefer to keep the space as a multipurpose room with the theater integrated in a way to keep the space open.
Musicians are the backbone of several industries: recording, broadcasting, music publishing, live performance, etc. Several of those industries are currently waging a rhetorical free-for-all over what musicians get paid. It's like watching a pit full of weasels fight over a burger.
I'm nothing if not loyal to my reference gear. Google "fleischmann rotel rsx-1065" or "fleischmann paradigm studio 20" and you'll see what I mean--the latter alone brings up more than 900 links on this site and elsewhere. I continue to use, and implicitly recommend, these products because they sound great, combine the best traits of both real-world and high-end audio, and give my ears a stable and reliable benchmark against which to judge other things. When I tell speaker makers I use the Rotel, they breathe a sigh of relief. So do receiver makers, when I tell them I'm using the Paradigms. The reference pieces also like one another. Hearing them together recalibrates my ears between reviews. I wish I could listen to them more often.