We've discussed Sony's new 4K home theater projector earlier in this running blog, but based on the crowds lining up to see it, it's clearly the hit of the show. But the demo, while striking and definitely worth the time to see, could have used less talk and longer, or more, actual demonstrating. I really wanted to see it a second time, but knowing that the two actual demo selections lasted, at best, 10 minutes, I decided against it.
MusicLites is a wireless speaker/light system from Artison and Sylvania. Each MusicLite combines a 10-watt LED light (equivalent to an incandescent 65-watt light output) with a 2.75” speaker plus a built-in 20-watt amplifier and RF receiver. The system uses a proprietary 2.4 GHz technology, and the MusicLites fit in standard four-, five-, or six-inch recessed cans. Installation is as simple as setting a dipswitch or two on the back of the MusicLite assembly and then screwing it in to a standard light bulb socket. No cutting. No new wires. Any one of up to three sources can be transmitted to up to six zones, and multiple MusicLites can be configured together as one zone. Each MusicLite can be set for either left channel, right channel, or summed mono output. Audio sound quality is surprisingly good, especially for such a small speaker. The company will release a wireless 8-inch 300-watt powered subwoofer before the end of the year.
MusicLites retail for $250/each. A single transmitter with wireless remote control retails for $100/pkg. The subwoofer will have a suggested retail of $600. Overall it’s a very impressive package for the money.
There’s a bit of a buzz in the industry – okay, there’s a huge roar – about whether one HDMI cable is better than another. There’s certainly plenty of marketing gimmicks from some of the cable manufacturers that will be noted in the long history of snake oil selling. Out of courtesy (and to keep him from sending any more text messages), I made of visit to the Audioquest booth to see our old Editor, Shane Buettner. There, instead of the sickening scent of snake oil, Shane simply laid out the case for why there are performance differences in HDMI and USB cables from an audio standpoint. But hearing is believing, as they say, and so he finally stopped talking, handed over a set of headphones, and proceeded to play music from a CD through three different HDMI cables. Even in the ludicrous environment of the show floor, there were definitely differences in the sound quality of the audio being transported through the HDMI cable. Interesting stuff, and definitely something I’m going to look into a bit deeper.
While it didn't photograph well in its dark location (despite my primo photographic skills!), DreamVision's new Inti series of projectors are lookers. At least their cosmetics are, and if their JVC innards are any indication, their performance will be as well (they were on static display only. The Inti 2, shown here, is $10,000. The Inti 1 is $7000, and the Inti 3 is $13,995.)
While we don't spend a lot of time searching out these sorts of products, adapters and processors are fundamental at CEDIA. They make the custom installer's job easier in myriad ways, and Gefen is one of the best known names in the business.
Voco is just one of the many manufacturers hawking wireless multiroom media streaming systems. In addition to being relatively inexpensive, Voco differentiates itself from the competition by giving you the ability to use your voice to find songs, podcasts, internet radio stations, and even YouTube videos. (You can also use your fingers if you’re the quiet type – or a quiet typer.) The system has the capability of streaming up to three audio sources (from your iOS device, CD player, computer, etc.) to up to 10 Voco device equipped zones. Voco V-Zone receivers start at $199.99.
Add on anamorphic lenses to provide a 2.35:1 image on a 2.35:1 screen are a popular though pricey option. Panamorph is one of the best known names in the market. Its prism-type lenses are more affordable than the more visibly "normal" round lenses, but they work well. Round lenses, such as those from Schneider (below) are more flexible with regards to throw distance (they offer focus separate from that of the projector's own lens) but their prices are higher. We've seen superb setups with both types of lenses.
You wouldn’t expect to find a company known for making cooking grilles at CEDIA, but Dimplex came to CEDIA for the first time bringing several examples of the company’s electric fireplaces – a couple of which were built into home theater media consoles. The Dimplex electric fireplaces can be run with or without producing heat. With the heater off, the fireplace costs just a penny or two an hour to run. While you wouldn’t be able to heat an entire home with one, the faux fireplaces are perfect for supplemental zone heating. At the moment, the fireplaces come with an RF remote control; but after many suggestions from interested installers, the Dimplex’s people now know how important it is to be able to integrate the operation of the fireplaces into home automation systems.
Schneider Optics offers a wide range of some of the most respected anamorphic lenses in the business. Interestingly, they also market their own projector, not widely known in the states, that includes an anamorphic lens on a built-in track. The projector is priced around $25,000, with the anamorphic lens. It was on static display only.
Anthem’s new Statement M1 mono block Class D amplifier puts out a paltry 1,000 watts into 8 ohms and doubles that (2,000 watts) into 4 ohm loads. The Class D design allowed the Anthem engineers to jam all the amplifier circuitry into a chassis that’s only one rack unit high. To keep things cool, there’s a special heat pipe cooling system – no fans! – and multiple M1s can be rack mounted directly on top of one another. Ideally, you’ll have a dedicated 240V circuit for the M1s in your system; however, Anthem designed the amp to still be able to generate temporary outputs of up to 2400 watts even when connected to a 120V/15A line. Get one, or seven, for $3,500 each.