LATEST ADDITIONS

Rob Sabin  |  Sep 11, 2011  |  First Published: Sep 12, 2011
Manufacturers of control systems and many other products have embraced the iPad in a big way, building apps that turn these small flatpanel computers into easy-to-use, high powered touchscreen controllers. But the iPad's (or iPhone's) strength as a do-it-all device is also a weakness if you're going to use it as a remote control. The reality is that these multipurpose machines can be quite inconvenient if at the moment you need to switch an input on your receiver or press the Pause button for your disc player your tablet isn't woken up, unlocked, and running the correct page of the control app in its open window. And that assumes the device hasn't walked away altogether with another family member who needs it for web browsing or a round of Fruit Ninja. RTI's solution, believe it or not, is a second inexpensive remote to keep around as a backup. The new SURFiR ($149, shown next to the iPad) is an option for anyone using one of RTI's controllers and the company's RTIPanel app for Apple iDevices. Unlike the company's usual remotes, the SURFiR requires no programming, and system commands you execute with it automatically update the RTIPanel display—the two track each other. Apps are great, but if you're busy looking at email and just want to make a quick volume adjustment, the SURFiR companion remote is intended to provide quick, easy, tactile control at low cost.

Rob Sabin  |  Sep 11, 2011  |  First Published: Sep 12, 2011
Canadian audio manufacturer Bryston Ltd. was showing off its soon to be released SP3 surround processor at CEDIA 2011. Taking a purist approach, there's no video processing to potentially muck up the audio signal, but the unit provides convenient HDMI v1.4 video pass through from each of seven HDMI inputs, and should a higher HDMI version ever be required, modular construction insures that a factory upgrade can do the trick. The prototype on display was a 7.1-channel model that decodes all the latest Blu-ray codecs and steers the audio to either balanced or RCA outputs. There's also a pair of AES/EBU inputs and a USB input along with the usual mix of analog and digital stereo inputs. Bryston sales VP James Tanner said the SP3 uses all discreet Class A circuitry in its analog stages for optimal sound quality, and great care was taken in the circuit topology to keep incoming video signals away from the audio, including dedicated power supplies for the video and audio circuits with no shared common grounds. Price is expected to be $9,500 when the SP3 ships at the end of September.

Philip Ryan  |  Sep 11, 2011

With two shows of very solid playing in the bag, we come to the end of the Colorado run. The guys are firing on all cylinders from the beginning, though they get tripped up a little in the second half of the first set - they're obviously going for it, but can't seem to get there.

Scott Wilkinson  |  Sep 11, 2011
SIM2 wasn't the only company with a native 2.35:1 DLP projector at the show. Digital Projection showed its dVision Scope 1080p single-chip model with a native resolution of 2560x1080 and a native (non-dynamic) contrast ratio of 7500:1. A modified Gennum processor expands 2.35:1 images to occupy the entire imager when black bars are detected. Pricing is around $50,000. Another new dVision model is the 35-1080p 3D, which uses active glasses and two lamps for 3D content. The price tag here is $35,000.
Scott Wilkinson  |  Sep 11, 2011
Digital Projection's entry-level 3D model is the M-Vision Cine 3D single-chip DLP, which outputs 3000 lumens without BrilliantColor (5500 lumens with BC, but you sacrifice some color fidelity in this case). Pricing is around $18,000.
Scott Wilkinson  |  Sep 11, 2011
As we all know, 3D needs as much brightness as it can get, and you get plenty with Digital Projection's Titan Quad 1080p 3D. This monster includes four lamps to blast up to 16,000 lumens at the screen with a native contrast ratio of 2000:1. You can up the contrast to 5000:1 by closing down the aperture, but then you get "only" 8000 lumens. The price for all that light? Just shy of $90,000.
Scott Wilkinson  |  Sep 11, 2011
Also in the SpectraCal booth was an LCD TV using quantum-dot technology from a company called Nanosys. A liquid with suspended nanoparticles is sprayed on a film that is added to an LCD TV, and blue LEDs stimulate the particles to glow red and green. Combined with the blue light from the LEDs, this forms full-color images. The image on the prototype display wasn't the best I've ever seen, but it's a new technology that could well improve in the future.
Scott Wilkinson  |  Sep 11, 2011
Video-calibration stalwart SpectraCal now offers the eeColor TruVue color processor under its own name. This processor is based on 35 years of research into color perception in various environments, analyzing the color coordinates of each pixel 20 times per second and using three-dimensional lookup tables to compensate for different amounts of ambient lighting and other perceptual factors. It also supports all forms of 3D except frame-packed Blu-ray, and it can expand the color gamut while retaining the D65 white point and flesh tones, which is a pretty cool trick. I look forward to checking it out more closely.
Scott Wilkinson  |  Sep 11, 2011
As I was cruising through the Screen Innovations booth, I discovered a projector I had never heard of before, though I learned that it wasn't new at the show. The TruVue Vango from Entertainment Experience is a single-chip DLP model with LED illumination and a claimed contrast ratio of 100,000:1. It comes with an eeColor TruVue color processor, which is also sold by SpectraCal (see next blog entry for more on that).
Scott Wilkinson  |  Sep 11, 2011
THX has been talking about its Media Director technology for some time, but it's finally being introduced to the marketplace. Media Director embeds metadata in the content itself, describing how the content was created and how it should be rendered in order to preserve the creator's artistic intent and assure optimal presentation. To do so, the so-called content descriptors are created along with the content and remain associated with it all the way to the end user's display and audio system, which automatically adjust their settings for optimal playback, offsetting the calibrated settings as needed for that content only.

The first Blu-rays to include Media Director metadata are the new Star Wars discs, but other studios are ramping up to include it in their new releases. On the hardware side, the first player to have Media Director capabilities is the Dune HD Blu-ray/media streamer from HDI Dune (yeah, I had never heard of them, either). As you can see in the photo above, it was implemented in a Sharp Elite TV at the THX booth, and it will be part of the 2012 Sharp Elites. In fact, starting in 2012, products that hope to be THX-certified must include Media Director functionality.

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