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Editor's Note: It's with great pleasure that Home Theater brings you this exclusive first review of Sharp's new ground-breaking LC-90LE745U HDTV. With this 90-inch set, the first at its size truly intended for mass production, Sharp begins the era of projection-size flat panels suitable for any light environment. While the $10,000 (street) ticket price still exceeds the cost of a high quality 2D/3D projector and screen, as a sign of what's to come, it is a significant introduction. And, as you'll read in Tom Norton's detailed review, not a bad TV. - Rob Sabin

Ninety inches diagonal is not all that big as projection screens go. But Sharp’s new LC-90LE745U, at that same 90 inches, is immense by flat panel standards. With more than twice the screen area of a 65inch set, it has little flat panel competition for its size, and none at all for its combination of size and cost. Panasonic has an 85inch plasma, for example, that will set you back nearly twice as much. LG showed a 4K 80-inch LCD set at last January’s CES, but exact pricing and availability is still undetermined. Mitsubishi offers a 92-inch rear-projection set at some remarkable street prices (around $3,000), but its massive 194 pounds and 25-inch depth (225 pounds and 32 inches in its shipping carton) might be just a little intimidating.

There are two stories to tell about Samsung’s new E8000 line of plasma TVs. The first, and likely the more compelling one for S+V readers, is that the E8000 continues Samsung’s streak of putting out plasmas that meet videophile standards for color accuracy, contrast, and shadow detail. The second is that the E8000 is one of the company’s flagship “Smart TV” lines. This basically means that every Smart feature you can think of has been tossed in, including voice and gesture control, face recognition, Web browser, interactive fitness training — the list goes on.

When I’m looking for speakers to review, I gravitate toward two types: ones that have the potential to sound great, and ones with weird designs. The former offer the potential for hours of joyous listening. The latter offer the potential for either a previously unimagined sonic nirvana or an audio train wreck, both of which are fun to write about.

Definitive Technology’s $899-per-pair StudioMonitor SM65 fits both descriptions.

For subwoofer designers, the laws of physics boil down to: Small box, low cost, high output — pick any two. You can always shrink the enclosure, but to get decent output from it, you’ll need a high-powered amp and a beefy driver. And if you shrink the box way down, as Sunfire did with its new Atmos subwoofer, you’ll need to go even more extreme.