Stewart Filmscreen has long been known for top quality projection screens, available in a blistering variety of screen materials. But they aren't exactly Blue Light specials. To attract more consumers to the benefits of a projection setup, Stewart has introduced a line of screens more affordable than its other offerings. Called the CIMA line, these screens will all be 16 x 9, fixed frame, and available in a range of standard sizes. Two materials will be available: grey with a gain of 0.9 and White with a gain of 1.1.
For those who have the spare cash, Stewart also demonstrated the latest version of its Director's Choice screen, offering an almost infinite variety of aspect ratios, settable and selectable by motorized masking at the touch of a button. The 15-foot wide model shown retails at just short of $60,000.
No price was announced for it today, but SIM2's Multimedia's Cinemaquattro must be that company's most pricey offering. Offering a full 4K resolution and a 3-chip DLP engine, it claims a brightness of up to 10,000 ANSI lumens from its 2kW Xenon lamp. As with all pro-derived projectors, its chassis is sold separately from its long list of available lenses. SIM2's PR maven, Lucette Nicoll, stands by to give you an idea of its size. It weighs 251 lbs.
Epson's long delayed LCOS (reflective LCD) projector caused quite a ruckus when it was demonstrated at the 2010 CEDIA. But it was never released and has now gone back to the drawing board. So don't look for it any time soon.
But there is a new Epson LCD in town, the PowerLite Pro Cinema 6020. The claim of 2400 lumens and a peak contrast ratio of 320,000:1 would, if realized, be industry highs. The refresh rate of 480Hz is said to increase the 3D brightness. At under $4000 when available in November, the projector will come with 2 pair of active 3D glasses, a spare lamp, and a guarantee of an exchange if, on delivery, there is even one dead pixel.
It seems that every screen maker these days is offering a 2.35:1, curved screen. The advantage to such a screen is its cinematic look. The disadvantages are possible geometry issues, cost, the fact that it can't be retracted, and possible audio concerns (a concave surface near your speakers isn't a plus). Elite joins the parade with its Lunette curved screens, available with several different screen materials, including a new woven acoustically transparent design (with an effective gain of under 0.9) and the company's 1.1 gain non-perf white.
The surprise here is the price structure. In a world where some curved screens command five-figure price tags, a 103-inch diagonal Lunette will set you back about $1500. Other sizes are available. Unfortunately, the woven, acoustically transparent screen will almost double that price. That's because while Elite screens are made in China, the woven material is available only in the U.S.
VEFXi is a new company (to us at least) with a plan to convert 2D to 3D on your 3D HDTV set. You say your set can already to this. as most can? But not quite like this, as VEFXi clearly demonstrated with its 3D-Bee Diamond ($699); It was the most convincing conversion I've yet seen, producing a a convincing illusion of 3D popping out of the set rather than existing mostly behind the screen's frame.
The company is also working on a glasses-free 3D solution, the 3D-Bee Ultimate, but the demo showed that this still needs work to produce an acceptable, artifact-free picture.
Though not exhibiting at the 2012 CEDIA Expo, LG Electronics took space in a local restaurant in Indianapolis on Thursday night to announce pending availability of its new 84-inch 4K-resolution flat-panel HDTV. According to Jay Vandenbree, senior VP of Home Electronics, the 3840 x 2160-pixel display will be sold by a limited selection of U.S. retailers starting in October. Manufacturer’s suggested retail pricing has been set at $19,999, about $5,000 less than Sony plans to charge for it’s own 84-inch 4K panel announced for the U.S market on Wednesday. That HDTV should be available in November. Of course, there’s no real 4K content available to view on these televisions, nor any medium to deliver it, so buyers will be viewing upscaled 1080i from their cable boxes or 1080p from their Blu-ray players for the foreseeable future. Both sets are said to accept a 4K signal, though, so viewers will not only be future-proofed but should also be able to use other 3rd party scalers to achieve the best image quality with existing 2K content.
First impressions on the first day included the absence of some major players (Samsung, Panasonic, and apart from a small off-site event to launch its 4K, 84-inch HDTV, LG) leaving Sony the only heavy hitter in the flat panel business present. Many booths were smaller. Bowers&Wilkins/Classe/Rotel were hardly the only ones to downscale their square footage on the show floor-though in their case they have also set up shop at an off-site hotel.
JVC announced nine new LCOS projectors at its Thursday CEDIA press conference. As before, these fall into two lines, Procision (consumer) and Reference (pro), each of which have models that differ only in model number (with one exception, the Reference DLA-RS4810 at $5095, which does not have a Procision equivalent).
All but the base model in each line employ JVC’s e-shift2 technology, which upconverts 2D HD content to 4K, i.e. 3840 x 2160 (as last year, the projectors cannot accept a native 4K source). Further video processing then manipulates this upconverted signal to operate with the projectors’ 2K (1920 x 1080) LCOS imaging chips.
E-shift2 is an upgrade from last years e-shift. Compared to e-shift, e-shift2 is said to sample 12 times as many pixels in its processing. It also simplifies the light path for higher brightness. The new projectors are said to produce higher native contrast ratios than last year’s models, with the top of the line designs said to achieve 130,000:1. The lamps in the new lineup are also specified to 4000 hours, with more stable brightness levels with increasing hours. You can also operate the projectors from your smart phone or tablet with a downloadable application.
The top two models in each line carry ISF and (pending) THX 3D certification. E-shift2 now extends down to a new $5000 price point with the DLA-X55R (Procision) and DLA-RS48 (Reference). The top models are the DLA-X95R and DLA-RS66, each at $11,999. The popularly priced DLA-X35 and DLA-RS46, which do not have e-shift, will retail for $3500. 3D glasses and a 3D transmitter are optional. Delivery of these new models is expected before the end of the year.
We always regret having to resort to torture, but with bamboo under the fingernails and a threat of the iron maiden we finally convinced Revel to start shipping its long-awaited Performa3 speakers starting in two weeks (and if it doesn't happen, we've got thumbscrews). The line features two of everything: towers, monitors, centers, sub, and a single bipole surround. Gloss walnut and black finishes are supervised by Italian craftsmen and the speakers are produced at an Indonesian facility that has air conditioning—it's nice to run across a star designer (Kevin Voecks) who refuses to accept the torturing of workers. All drivers are proprietary aluminum cones or domes. Priced per speaker, the towers go for $2500 and $1750, the monitors for $1000 and $750, the centers for $2000 and $1000, the subs for $3000 and $2000, and the bipole is $900. The top-of-the-line F208 tower and C208 center have both tweeter and boundary level controls for extra flexibility in acoustically difficult spaces. Revel also introduced the 2-Series of four in-ceiling and three in-wall speakers including the home theater worthy W253L LCR with 1-inch tweeter and dual 5-1/4-inch woofers.
With nine amp channels and 11.4-channel preamp outs, the Integra DTR-70.4 is armed for nine to eleven bears. Theoretically you could add a stereo amp and get 11.1 channels of joy out of the DTS Neo:X height and width enhancement mode, but that may be the least of this receiver's achievements. It is certification-studded with THX Ultra2 Plus, ISF video calibration for the dual-core video engine, and—a personal favorite of ours—Audyssey MultEQ XT32 auto setup and room correction. We've tried the latter with another product (the similarly featured Onkyo TX-NR3010) and the extra filter resolution makes a notable improvement: the room-corrected sound is less hard and fatiguing and it images better. Plug an Android smartphone into the MHL-HDMI input. Get a look at several HDMI sources simultaneously with InstaPrevue. This being Integra, there are niceties a custom installer would appreciate such as extra 12-volt triggers and IR jacks, and—well, we'd like to go on, but we're tired now.
Cambridge Audio's Minx sat/sub sets have been so successful that a new division of the company has been formed to exploit their successors. They include the single-driver Min11 ($95/each) and the dual-driver Min21 ($180/each). They have a tad more bass than their predecessors, at 130 and 120Hz respectively, but the big design change is in the flat diaphragms. The dual cube now has a hybrid BMR (bending mode radiator) and dynamic driver on top and a plain dynamic driver on bottom while the single cube uses a single hybrid driver. The new approach yields better power handling, longer throw, and the removal of an 8kHz spike. Crossover has also been improved. With flat-diaphragm subs of 8, 12, and 14 inches, pricing ranges from $849-1849. Cambridge also showed the Azur Stream Magic 6 network audio player which plays pretty much anything with 24/384 upsampling and is priced at $1149. Cambridge is also shipping two surround receivers shown at CES, the Azur 651R ($1899) and 751R ($2799).
Focal's Sub Utopia EM earns its $13,999 pricetag with the use of an electromagnetic active voice coil, pictured to the right of the sub. This affords its 13-inch driver a degree of control and damping not possible with a conventional passive voice coil. Outboard amp required, 500 to 1000 watts recommended. Focal also showed three multimedia speakers: the Little Bird, the Bird, and the Super Bird, hence the headline. The cool thing is the flat box that goes with them. It combines the functions of a stereo integrated amp, headphone amp, DAC, and active sub, with wireless connectivity for iOS devices. Pricing is $995, $1199, or $1499 for the package depending on size of fowl. Add another $99 for an iOS or USB dongle.
TV bling? Who knew. Séura, the master of TVs that morph into mirrors and mirrors that turn into TVs, is showcasing the Crystal Frame Vanishing Television Mirror at CEDIA Expo. Incredibly, all that glitters around that 55-inch screen is not gold but a gazillion tiny Swarovski crystals. Really. How much will Crystal set you back? How's $16,500 sound? Séura offers more than 100 vanishing TV options with screens ranging in size from 10 to 75 inches with prices from $2,000 to $35,000.
The company is also introducing the Storm 1080p outdoor television with LuminOptics technology, which is said to ensure a bright, clear picture even on those sunny days when you're lounging poolside. Highlights include an anti-reflective tempered safety glass cover, an airflow system to control moisture brought about by extreme changes in temperature, an O-ring system that keeps water and other contaminants at bay, aircraft-grade aluminum construction and the ability to withstand temperatures as low as 30 below zero or as high as a scorching 140 degrees. Available in 42-, 47- and 55-inch screen sizes.
Antennas Direct is really into antennas. That’s all they seem to want to talk about, which is not surprising since antennas are what the company makes. However, they may have gone too far with this prototype antenna for the person who likes to watch TV while cruising down the highway in his sidecar motorcycle. So far no one seems to make a mount suitable for use to install one of Sony’s new 84-inch 4K flat panels in the sidecar.