Digital Projection was featuring Its D-Vision 35 LED ($39,000 with lens) and D-Vision Scope ($34,995). Both are single-chip home theater designs, identical in form factor to the photo here, but very different in their features. The D-Vision LED uses LED lighting for consistent color and long life, though with some sacrifice in brightness. The D-Vision Scope has a higher than HD resolution chip that enables projection of 2.35:1 films without an anamorphic lens and with an on-screen pixel density of 2560 x 1080. Both looked outstanding, though I favored the brightness and big screen capability of the D-Vision Scope.
JVC’s booth on the show floor, using its top of the line DLA-X95R projector with e-Shift2 technology, provided one of the more eye-popping demos at the show. The 2D demo, with clips produced specifically for demonstration purposes from a 4K source file downscaled to 2K for transfer to Blu-ray, looked incredible on a 123” diagonal, 16:9, Stewart Studiotek 130 screen, suggesting that e-Shift2 really is a genuine step up from last year’s original e-Shift. The sound was special as well, provided by Definitive Technology speakers (anchored by the Mythos Super Towers at the left and right).
I always take time out at CEDIA to sample some of the home theater seating exhibits that sprinkle the show floor. OK, so it’s a tough show and the dogs do bark! This jumbo love seat from Cinema Tech is more than just comfy. It not only reclines, but a powered headrest can be raised or lowered, depending on your needs of the moment. It’s available in different configurations (such a single seat). The catch is the price (for the loveseat shown) of about $7500 depending on the leather selected. A number of other manufacturers were also showing theater seats with adjustable headrests.
Screen Innovations has incorporated adjustable (and defeatable) backlighting at the boarders of its zero-edge, fixed-frame projection screens. Just don’t call it Ambilight! Apart from this, however, I saw a stunning, bright, and colorful image (granted, the source was Speed Racer) on the 138-inch diagonal, 2.35:1, 1.4-gain Black Diamond screen, driven by a Sony VPL-VW1000 4K projector and a standard 2K Blu-ray disc.
OK, the wording should be One Adam 12, but if you know the reference you’ve been on the planet and watching TV for far too long. But Adam Audio GmbH, of Germany, was one of several manufacturers (including KEF, Totem, and Wharfedale) attempting to make music on the open show floor. The strikingly styled Tensor Gamma Mk2 shown here is the smallest model in Adam’s top of the line Tensor Mk2 Series.
Digital Projection was featuring Its D-Vision 35 LED ($39,000 with lens) and D-Vision Scope ($34,995). Both are single-chip home theater designs, identical in form factor to the photo here, but very different in their features. The D-Vision LED uses LED lighting (duh!) for consistent color and long life, though with some sacrifice in brightness. The D-Vision Scope has a higher than HD resolution chip that enables projection of 2.35:1 films without an anamorphic lens and with an on-screen pixel density of 2560 x 1080. Both looked outstanding, though I favored the brightness and big screen capability of the D-Vision Scope.
At its Friday press event, SIM2 Multimedia featured its M.150 single chip DLP projector with LED illumination. Normally, LED-based projectors aren’t very bright, but this one lit up the screen. It might have helped that the 125-inch diagonal screen was a DNP Supernova with a gain of 2.4. Surprisingly, this screen had no perceptible hot spot and little fall off in brightness at off-axis angles, making it a viable alternative for LED-lit projectors like the M150.
SIM2 also launched, but did not demonstrate, its SIRIO high Brightness 3D projector (shown in the photo above). Its single-chip DLP dual lamp design (2 x 300W) is claimed to offer higher brightness than other dual lamp projectors. The projector body by itself is $25,000, and a variety of lenses are available at extra cost. The projector will go on sale in late October.
The company also announced a $1000 drop in price for its base line, single-chip DLP models. The Crystal 35 is now $5000, the Crystal 45, $7000.
A price was also announced for the Cinemaquattro 4K projector mentioned in an earlier blog: $158,000, not including lens, of which there will be a variety available. Just in case you were hovering on the edge of your seat before writing that check. The projector is based in a professional Christie design; the light output also mentioned earlier will depend on the chosen lamp configuration and lens.
Wow, was my first thought when I heard Jennifer Warnes’ mellifluous voice floating between a pair of SP-BS22-LR bookshelf speakers , one of four models in Pioneer’s new budget line of “home theater and music” speakers introduced at CEDIA Expo. Budget in price, not sound. The handiwork of chief speaker designer Andrew Jones who also happens to be director of engineering for high-end speaker maker TAD, the $130-a-pair bookshelf model is joined by the SP-C22 center speaker ($99), the floor-standing SP-FS52 ($130 each) and the SW-8MK2 subwoofer ($160). Design highlights include a sophisticated multi-element crossover that you just don’t find in this price range. The deal gets even sweeter if you opt for a complete home theater package: $499 for a system with four bookshelf speakers, a center-channel and sub or $629 if you go with a pair of mini towers for the front channels. The mission behind the new line is to engage younger consumers by offering high-quality sound at affordable prices, Jones said.
The Monster Audio Subwoofer Satellite (MASS) speaker system Monitor Audio is showcasing at CEDIA Expo stands out among satellite-based systems for the gently curved polymer cabinet that defines the MASS 10 satellites. Each aluminum-capped cabinet, which houses a newly developed 1-inch tweeter and 4-inch bass/midrange driver, can be mounted on the wall or placed on optional stands (as shown in the photo). Bass chores are handled by the equally stylish MASS W200 powered subwoofer, which teams a 10-inch driver and passive radiator with a 220-watt DSP-controlled Class D amplifier offering selectable Movie, Music and Impact modes. Due out in the October/November time frame, MASS is expected to sell for about $1,200.
The gorgeous zebrawood finish and Retro meets Danish styling of Triad’s towering Cinema Reference speaker was hard to miss on the CEDIA Expo show floor. The 47.5-inch-tall CR LCR 1 main speaker combines a horn-loaded Air Motion Transformer (AMT) driver with two 8-inch midrange drivers and a 15-inch woofer. The companion CR Surround is 27 inches tall and features a pair of 1-inch compression tweeters and two 5-inch mids in a horn-loaded configuration and a 10-inch woofer. In-wall, on-wall and stand mounting options are available. Estimated pricing is $12,500 each for the CR LCR and $5,000 each for the CR Surround, both of which are expected to be available for sale in January. A companion subwoofer is being developed.
Onkyo’s RBX-500 iLunar Dock Music System is a mini-system that’s designed to give you the sonic runaround thanks to six full-range drivers positioned above a down-firing subwoofer and a special processing chip from Sonic Emotion that creates the impression of stereo sound regardless of the listener’s position in the room. The RBX-500 includes a top-mounted iPod/iPhone recharging dock plus a USB port for charging other types of portable devices. The system is also Bluetooth enabled for wireless streaming from those portable devices, too. The iLunar is anticipated to be available in October for $249 MSRP.
dotz Cuts Cord Confusion
According to dotz, the average U.S. household has 40 cords, which adds up to 4.5 billion cords cluttering and choasifying homes across the country. dotz’s Cord Identifier Kit comes with 24 clear, round identifiers that snap along both ends of up to 12 HDMI, component, audio, video, power, and etc cords and cables. Different colors make the cords immediately identifiable when digging around behind AV racks, HDTVs, desks, or nightstands. In addition to different colors, each identifier can be further identified by using pre-printed or “write-your-own” punch-out inserts. Kits sell for $16.99.
Extruded aluminum enclosures and Imagine Series lineage are only part of what make the Imagine W1 and W3 on-wall speakers special. In addition to being voiced like the great-sounding Imagine Mini, they're also coordinated the way designer Paul Barton says surround speaker systems should be: with the center having twice the output of the left and right combined. So the W3 center ($1200/each) has a sensitivity rating of 89dB, versus the 86dB of the W1 ($600/each), and the 3dB difference enables the center to play twice as loud with the same power. Of course, in practice, you'll level them to have the same output, but your amp will have more headroom for the center at dynamically challenging moments. Elsewhere in the Imagine line, the Imagine Mini Center ($700/each) is now available to match the Imagine Mini satellite. All of the above are shipping October. PSB also announced CustomSound in-wall and in-ceiling speakers of which the most interesting is the C-SUR, whose angled baffle contains enough drivers to run both side- and back-surround channels. Shipping end of December. Also shown was the second-gen VISO 1 AP compact audio system, which eliminates the original VISO 1's dock in favor of AirPlay for $600. It ships first quarter of 2013. The original VISO 1 remains available.
One-upping Paradigm's 30th anniversary models and KEF's 50th anniversary models, Wharfedale celebrates its 80th anniversary with the Denton monitor. Audio history buffs will recognize the model name which goes back decades and decades. If that mahogany finish looks good to you (and it looked great to us) act fast because only 2000 pairs will be made. The one-inch soft dome tweeter and six-inch Kevlar woofer were made especially for this model in IAG's Shenzhen factory, which is capable of making every part, however tiny, that goes into its products. Also shown were two UPC subs including a dual 10-inch powered by 500 watts and a dual 8-inch powered by 350 watts. They come with remote control for volume, crossover, and phase and you can turn off the front panel display if it annoys you. We wish all subs were so eager to please. And we wish all speakers were so drop-dead gorgeous.