One was a gregarious actor who became a cultural icon. The other was an erudite, poetic soul hiding in a sadistic, foul-tempered drunk ... and arguably America's greatest director.
In these still early days of HD DVD, it's a little creepy that three of the releases have been films about bad cops: <I>Assault on Precinct 13</I>, <I>Training Day</I> (see below) and now <I>16 Blocks</I>.
<I>Training Day</I> is about a bad cop. A very bad cop who has convinced himself that if he can do good in questionable ways and get a little action on the side for himself (not to mention for a few bad cop buddies), that’s the name of the game. When it comes to breaking in a rookie, however, he gets more than he bargained for.
Stephen Sommers, director of a fun ride in <I>The Mummy</I> and an unnecessary, overblown sequel in <I>The Mummy Returns</I>, brings us a whole bevy of uglies in <I>Van Helsing</I>. It's a monster mash, with Dracula getting together with his vampire brides, the Frankenstein monster, Mr. Hyde, wherewolves, and various other hangers on.
So much fuss has been made about Brokeback Mountain (Lionsgate; Movie ••••½, Picture/Sound ••••, Extras •••), especially after it was nominated for eight Oscars (winning three), that it's not worth rehashing the details here.