A/V Veteran

“The press-heads were nestled all snug in their beds, while visions of CES danced in their heads.”

It’s the same every year. With the festivities of the season keeping everyone furiously running around making preparations for holiday celebrations, those of us involved in the consumer electronics industry—manufacturers, public relations folks, distributors, dealers, trade press, and consumer press (note the hierarchy!)—have something else on our minds—the annual January CES. ...

While popular among readers, direct A/B tests comparing one audio or video component with a competing model are far more difficult to do properly than you might imagine. I’ve conducted or participated in numerous such tests over the years, going back to speaker shootouts when I wrote exclusively for Stereophile back in the ‘90s. I also set up or participated in several shootouts of video displays for Home Theater.

I’m a huge fan of the movie Oblivion. But is it a Guilty Pleasure or a Hidden Treasure? It received a mixed critical reception when it hit theaters in 2013, and many sci-fi fans and film critics found it derivative.

But who is really surprised when a film borrows ideas and plot tropes from past films and literature...

We tend to forget that not all readers have been around the block when it comes to the language of video. Those that have know the tricks of the trade, and what all of the terminology means. True, even they’re sometimes mistaken, and we ourselves can get caught out from time to time with what’s being offered this year (or this week!) in the ever changing high definition (HD) and ultra high definition (UHD) world.

But manufacturers seldom offer much help in this, or even do their best to obfuscate. In their specs, descriptions, and promotional copy, one thing you won’t find clearly stated is what their products won’t do...

Ever had the experience of surfing the web and finding a link to a site that you never knew existed? OK, there are a lot of sites most of us never knew existed. But if that site is endlessly fascinating and useful to you, that’s a different story. I can’t recall how I first came across bluraystats.com, but I’ve never seen anything quite like it before...

It’s been no secret up to now that calibrating a display for high dynamic range (HDR) is a work in progress. But the recent release of an HDR10 workflow for CalMAN 2016 (the newest software from SpectraCal) promises to change that. CalMAN is widely used by calibrators and reviewers to optimize display setup.

HDR10 is one of the two most prominent HDR formats (though there are others lurking around looking for a niche). Both of these formats require specialized, and different, calibration techniques. A CalMAN workflow for the other format, Dolby Vision, has been around for several months.

But most UHD/HDR sets offer HDR10, as do all UHD Blu-rays to date, making an HDR10 calibration perhaps even more significant...

On a recent visit back to Los Angeles I took in the 2016 Newport, California hi-fi-show, more properly known as T.H.E. (The Home Entertainment) Show Newport (though it’s now actually held in Irvine). You can read my observations on the show, along with those from other Stereophile contributors (I write occasional reports and reviews for Stereophile, though Sound & Vision is my main beat) at Stereophile.com. Like virtually all such events (of which there are several in the U.S. each year under various management), this was a show for 2-channel audiophiles. Count me among them, but no more so than for multichannel music, movies, video, and home theater.

The only show in the U.S. that features video as it relates to home theater is September’s CEDIA Expo...