Universal remote controls can be great for integrating the control of a home theater system. However, all infrared (IR) remotes suffer one significant drawback: they must be pointed at the component they are controlling, with a clear line of sight. If components are hidden and/or located in several different areas of the room, it's difficult or impossible to operate them in an integrated manner. Of course, you can spring for a high-end control system from a company such as Crestron or AMX, but we're talking big bucks there.
As the age of digital television dawns, one link in the signal chain remains stubbornly analog: the video connection from the DVD player to the display. However, that is about to change. Many displays are starting to appear with a Digital Visual Interface (DVI) input. Now all we need is a DVD player with a DVI output to keep the signal entirely in the digital domain from source to screen—at least with fully digital displays.
DVD recorders are quickly maturing into a product category that promises to topple the venerable VCR from its perch as the predominant video-recording format for consumers. Yes, videotape is still less expensive than most blank discs, especially rewritable discs, which are more directly equivalent to tape than write-once discs. And yes, analog VCRs are much less expensive than DVD recorders. But prices for blank discs and recorders are dropping fast, and the functionality and convenience of DVD recording are so far beyond videotape that the extra expense is well worth it.
I've always appreciated the quality of Yamaha receivers; in fact, my very first "serious" stereo receiver was a Yamaha. So it was with eager anticipation that I agreed to review the company's current flagship receiver, the Rx-Z1.
Ever since DVD first appeared five years ago, I've longed for the ability to record video material to disc rather than VHS tape. Well, as the old saying goes, "Be careful what you wish for; you just might get it." Not only is it now possible to record onto a DVD disc, there are no fewer than five formats available! Among these are DVD+R (write-once) and DVD+RW (rewritable), both created by Philips.
The successful transition to digital television depends on several factors. For one thing, broadcasters, satellite providers, and cable companies must upgrade their equipment to transmit DTV signals. In addition, consumers must upgrade their video screens to accept and display DTV images. Unfortunately, this is a chicken-and-egg problem: content providers are reluctant to invest in the upgrade until a significant number of homes have DTV reception, and consumers are unwilling to spend extra money on a digital television until there is a significant amount of programming to watch on it.
When it comes to surround-speaker systems, good things rarely come in small packages. Microsatellites and little subwoofers typically sound thin and anemic, with poor tonal balance and low volume capabilities. Yet there are many situations (e.g., small apartments, dorm rooms, guest rooms) in which such speakers would be ideally suited, if only they produced a reasonably good sound.
S<I>tar Wars—Episode 1: The Phantom Menace</I> might have grabbed all the attention as the first movie to be screened in the US from a digital source rather than a film print (see <A HREF="http://www.guidetohometheater.com/shownews.cgi?454">previous story</A>), but it's not the only one to use the new technology. With virtually no fanfare at all, <I>An Ideal Husband</I> is being shown from a digital source at Laemmle's Sunset 5 theater in Los Angeles through July 15, 1999.
I have seen the future, and it is digital. On June 18, cinematic history was made as <I>Star Wars: Episode 1---The Phantom Menace</I> became the first movie in the U.S. to be publicly screened from a digital source rather than a film print (see <A HREF="http://www.guidetohometheater.com/shownews.cgi?430">related story</A>).