Thomas J. Norton

Price: $4,300 At A Glance: Dark blacks with good shadow detail • Crisp resolution and accurate color • Best-in-class off-axis performance • No 2D-to-3d conversion

Life’s Good in 3D

We were mighty impressed by LG’s 47LE8500 HDTV in a recent review. That set had effective local-dimming LED technology and went farther than any set we’d seen in mitigating LCD’s remaining Achilles heel—the 47LE8500 had the strongest off-axis performance we’ve seen from that technology. The new LG LX9500 series is a twin of the 8500 series in many ways, with largely similar features and comparable 2D performance. But the addition of 3D puts these new sets—the 47-inch model reviewed here and the larger, 55-inch 55LX9500—into an entirely different category.

At long last, we come to the final chapter of the ongoing Blu-ray player saga. It has been a journey too-often interrupted by the need to adjust to new system components coming in and out for their own reviews. Nothing is more disruptive than having to adjust to the sound of new speakers.

But enough with that. First, a brief summary of what this entire effort has been about....

All for 1.4, and 1.4 for All?

In 2002, the video world was just getting comfortable with component analog video. HDTV and DVD were only starting to acquire mass-market status. We were using three separate video cables to connect our shiny new HDTVs to our best sources. Add to that up to six audio cables to our A/V receivers. This forest of cables wasn’t heaven (except to cable vendors), but it worked, and it provided most viewers with their first real taste of high-quality video. We also had DVI, a standard for digital video borrowed from the computer world. But because its clunky connector only carried video and not audio as well, it never achieved critical mass.

With all the fuss about the great images on HDTVs, particularly from Blu-ray, it’s easy to forget that sound is half the experience—maybe even more. Blu-ray offers more than just great video. By making use of its generous data-storage capacity and new ways to encode audio, it offers an audio experience that’s a significant step beyond the digital movie sound formats we’ve lived with. In fact, it’s arguably equivalent to the sound the engineers and filmmakers heard during the mastering session.