When we think of a power amp today, we think of that large, heavy, hot-running, often ugly block of metal we hide away so we don't have to look at it. Or, if it's impressively large or expensive we proudly display it on the floor—an amp that's large, impressive, and expensive enough to show off is too heavy to put anywhere else! There, we willingly subject our ankles and shins to its sharp heat sinks on the sacrificial altar of great sound.
Will the prices of HD DVDs and BDs—the discs themselves, never mind the players)—keep the brakes on sales of the new format? If current trends continue, those of us with big DVD collections had better start saving up if we want to eventually replace them with HD DVDs and BDs (Blu-ray discs).
It's here, but only just. On April 18th Toshiba launched the HD DVD format with the release of the $499 HD-A1 player. On the same day Warner released The Last Samurai and The Phantom of the Opera on HD DVD, and those two titles were joined by Universal's Serenity. Warner's Million Dollar Baby, also scheduled for the launch, was delayed initially but is in stores now. These were joined on April 25th by additional titles, including what is the easily best film released on the format so far, Apollo 13.
When manufacturers announced the first three-chip DLPs aimed at the home theater market, my first thought was, "I'm there!" One thing about even the best single-chip DLPs continued to bug me: those pesky rainbows.
I always find it odd when they refer to movie <I>previews</I> (what everyone I knew called them when I was growing up in Connecticut) as <I>trailers</I>. Trailers (okay, I surrender) are mini movies, assembled for one purpose: to put asses (pun not…oh, never mind) in the seats for the film itself.
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"If you're familiar with the look of Yamaha's last two flagship DLP projectors, this latest version will definitely give you a case of déjà vu. But that's true of the latest projectors from most manufacturers. The world of home video projection is moving too fast to design new cosmetics for every new model."
Last week Mitsubishi launched its 2006-2007 line of big screen televisions. The broad lineup consists of no fewer than fifteen models using a variety of technologies, including DLP rear projectors and LCDs in both flat panel and rear projection configurations.
JVC announced a number of new additions to its lineup of video displays at January's CES. But the company showed at an off-site hotel and there just wasn't time to get to it. At a recent event in the Los Angeles area JVC exhibited its new models for dealers and the press.
I saw <I>King Kong</I> —twice— theatrically, in the "standard" auditoriums of the Arclight Cinemas in Hollywood (not the Cinerama Dome where it was also playing, for reasons I described in an earlier blog, "<I>King Kong: Peter Jackson's Production Diaries</I>," below). It was, without question, the best theatrical film presentation I've seen in years. I wrote about the DVD in our most recent e-Newsletter, which will show up in your mailbox in a few days. (You do subscribe don't you? It's free, just go <A HREF=" http://www.ultimateavmag.com/newsletter_subscribe/?Your%20E-mail ">here</A>to sign up.)