Home Theater's guide to using indoor and outdoor antennas to pick up digital TV broadcasts.
It's funny how everything old is new again. Forty years ago, you might have watched from the backyard as Dad carefully climbed up a ladder to the roof, strapped a bracket onto the chimney, and attached a large T-shaped television antenna so that you could watch those glorious black-and-white (and sometimes color) images from I Love Lucy, Bonanza, The Wonderful World of Disney, Gunsmoke, and other TV programs of that era.
When it comes to selling front projectors into the home-theater market, JVC has always gone its own way. When other manufacturers were jumping into Digital Light Processing (DLP) and high-temperature polysilicon LCD, JVC introduced the direct-drive image light amplifier (D-ILA)—basically, a liquid-crystal-on-silicon (LCoS) imaging device. When others were adopting short-arc metal-halide and vapor lamps, JVC opted for xenon arc lamps to improve white balance.
Epson's entrance into the home-theater projector arena has long been anticipated. For years, Epson has had the best color-management system of any maker of LCD projectors, and their ability to tame the uneven spectral output of short-arc metal-halide lamps has been impressive.
For better or worse, electronic display technology is going flat. Slowly but surely, as Asian manufacturers jettison older high-volume, low-profit picture- and projection-tube assembly lines, the venerable cathode-ray tube is being supplanted by such exotic items as Digital Light Processing (DLP), and liquid-crystal display (LCD) and plasma display panels (PDPs).