This story would be hilarious if it weren't for the pain and suffering inflicted on a hapless jogger toting an iPod. Caught in a thunderstorm, the Vancouver resident was struck by lightning and sustained serious injuries when the iPod and its cables conducted current into his body.
At some point in the evolution of home theater, someone noticed that the phrase includes the word home. At that point, weird and wonderful things began to happen. Speakers morphed into smaller, more rounded, and occasionally more imaginative shapes. The surround receivers that fed them maintained their black-box identities but moved discreetly into closets. Back panels began to sprout extra jacks, the better to interact with touchscreen interfaces, second zones, and other niceties that have become staples of the connected home.
In an attempt to reverse declining CD sales, one label has settled on the novel idea of actually offering consumers more for their money. Disney's Hollywood Records will soon take the wraps off a new CDVU+ format with an initial release by the Jonas Brothers.
Sony BMG is suing one of two developers of digital rights management schemes that spooked consumers, compromised the security of their PCs, and forced the music label to pay settlements in numerous lawsuits.
Are Apple's new higher-fidelity downloads worth their premium prices? No, says a recording engineer writing for the Sci Fi Tech blog. Critic Leslie Shapiro downloaded 20 songs from iTunes Plus at 256 kilobits per second and compared them to 128kbps versions (both using Apple's favored AAC codec). "I bought into the idea that the difference would be drastic, or at least noticeable," Shapiro writes. "I spent hours listening, switching from 128 to 256 and back, straining to hear something--anything--different about the tracks. My critical listening skills are pretty good, but this was pushing the limit. To be fair, there were differences, but they were subtle. For example, on David Bowie's 'Space Oddity,' the high-end clarity was a bit more pronounced on the 256-kbps version, and on KT Tunstell's 'Other Side of The World,' the guitars were slightly more detailed. It would've been extremely hard to distinguish had I not been switching instantly from one format to the other." True, Shapiro might have reached different conclusions if comparing MP3s at the same data rate--or compressed files to lossless ones. But considering what Apple's charging for these higher-bit-rate downloads, the winner (at least for people who care about sound quality) may be the dear old CD. After all, you can rip it to any codec you like, and even change your mind in the future. Mmmm, my bulging CD shelves are sure lookin' good!
Three identical stand-mounted speakers in front, two on-wall speakers in back—that's the unusual configuration I used in this review of the Canton GLE Series. Now I've got some explaining to do.
Webcasters and the music industry worked out a deal on Thursday of last week that will temporarily delay draconian new royalties that many predict would kill many net radio broadcasters.
Home theater is the integration of big-screen television and surround sound. But how often do you see the two product categories integrated with each other? That's what makes a new system from Atlantic Technology and Epson so special.
Housing. Transportation. Home theater. Your local bank offers loans for those first two things, but not for the third, surely one of the most pressing needs of human life. What's up with that? Aren't big-screen television and surround sound at least as important as a house or a car? The General Electric Money Bank says yes!