Scott Wilkinson

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Scott Wilkinson  |  May 14, 2009

In Greek mythology, the Titans were the children of Uranus (Heaven) and Gaia (Earth). Similarly, the flagship Titan Reference video projector from <A href="http://www.digitalprojection.com">Digital Projection International</A> (DPI) was born from the union of heavenly images and earthly concerns about service accessibility and recyclability.

Scott Wilkinson  |  May 13, 2009

<I>There are some awesome AVRs out there, but I think it's a big compromise to run long speaker cables all around the room. Nearly every speaker manufacturer recommends using equal-length speaker cables. So unless you use monoblocks for each channel, you defy that logic.</I>

Scott Wilkinson  |  May 12, 2009
Bypass Blues
I read that if you let a Blu-ray player decode the new audio formats and send them to the receiver from the player's multichannel analog outputs, you bypass the receiver's crossover and equalization settings. Is this also the case when you use PCM over HDMI?
Scott Wilkinson  |  May 12, 2009

Lately in this blog, I've been concentrating on speakers with astronomical prices, which is loads of fun. But it's certainly possible to enjoy exceptional sound without spending six or seven figures. Take, for example, the new top-dog Klimt series from Austrian speaker manufacturer <A href="http://www.viennaacoustics.at">Vienna Acoustics</A>.

Scott Wilkinson  |  May 07, 2009
Unlike many high-end manufacturers that concentrate on one type of product, MBL casts a wider net. For three decades, this German company has developed super-sophisticated—and super-expensive—speakers, power amps, preamps, integrated amps, optical-disc players, and D/A converters. At the top of its speaker heap is the 101 X-treme, a stunning sonic and visual masterpiece.
Scott Wilkinson  |  May 05, 2009
D is an Excellent Grade
I'm thinking about purchasing Rotel's RSP-1570 pre/pro, and I notice that all the company's latest amplifiers (and the flagship RSX-1560 receiver) utilize Class D technology. Is this a move we're likely to see from other manufacturers given how well the energy-efficiency story plays in our increasingly green world? Does the technology sacrifice any performance?
Scott Wilkinson  |  May 04, 2009

As I wrote about the <A href="http://blog.ultimateavmag.com/ultimate-gear/more_power/">Perreaux &#233;loquence 250i</A>, it claims to be the world's most powerful stereo integrated amp, delivering up to 530 continuous watts/channel into 4&#937;. But that's nothing compared with a new monoblock power amp from <A href="http://www.goldmund.com">Goldmund</A>&#151;the Telos 5000, which delivers up to <I>5000</I> continuous watts into 2&#937; (2500W into 4&#937;, 1250W into 8&#937;).

Scott Wilkinson  |  May 01, 2009
No TV!
I want to replace the aging rear-projection TV in my home theater, possibly with a Pioneer Elite PRO-111FD. I will be watching mostly Blu-rays with no broadcast viewing at all. Since most Blu-rays have some sort of letterboxing, will there be a problem with image retention or burn-in? If so, what 50-52 inch LCD do you recommend?
Scott Wilkinson  |  May 01, 2009

<I>My question is about "color" in sound. I hear audiophiles talk about this all the time. What is "color" in sound? How do you measure it? How do you remedy it? I'm kinda lost with the jargon. Please help me to understand how to tell if there's too much "color" in my system.

Scott Wilkinson  |  Apr 30, 2009

For the last 30 years, French speaker maker <A href="http://www.focal-fr.com/">Focal</A> has been pushing the envelope of design and manufacturing to achieve the ultimate in sonic reproduction. Nowhere is that more evident than in its flagship <A href="http://www.grande-utopia-em.com/">Grande Utopia EM</A>, the third generation of this technological tour de force.

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