In most high-quality A/V products, form follows function, but in the case of the Gramophone speaker from Swedish maker <A href="http://www.aesthesis.se">Aesthesis</A>, form and function are intertwined, arising together during four years of development. Standing nearly four feet tall, this hand-made, carbon-fiber speaker makes a bold design statement while offering impressive specs.
Who doesn't love <I>The Wizard of Oz</I>? No one I know. Rated as one of the best films ever made, this timeless classic has been released on various home-video formats no less than 16 times since 1980. Now, 70 years after its theatrical debut, <I>Oz</I> is getting its first high-def treatment on Blu-ray for the 17th iteration. I was fortunate to be invited to a press event celebrating this milestone at Warner Brothers' Burbank studio, and I learned a lot about what went into making this ultimate version.
Funny You Should Ask I'm looking for a reasonably priced 42-inch HDTV. A standard-definition DVD player will be connected to it as well as digital cable, but no HD service. Plasma or LCD? I can go either way. It won't be wall mounted. I was thinking a 720p set would okay since we don't plan to have HD cable service, but I'd be very interested to hear what you think.
I've always loved <A href="http://www.tannoy.com">Tannoy</A> speakers—in fact, I've used a pair of NFM-8 near-field monitors in my home recording studio for many years. And I'm not alone—many pro studios, especially in England, use Tannoys as reference monitors. But the company also makes exceptional consumer speakers, including the new Definition line.
<I>I have heard you and Leo Laporte discuss the merits of 1080p versus 1080i signals. You both agreed that both methods are almost indistinguishable from each other, but neither of you seemed clear as to why they were so close. Well, I believe I may have the reason, but please correct me if I am wrong. The essential feature is their respective frame/field rates. 1080p is 30 true frames or complete pictures per second, whereas 1080i is 60 fields per second, but because it is interlaced, it also results in a true 30 frames per second. Thus, both formats generate the exact same number of true frames or pictures per second, which is why their ultimate picture qualities are identical.
Manual Labor I purchased an SPL meter to level the speakers in my 5.1 surround system. I read an article in Home Theater magazine about how to use this device, but I'm still not sure how to do it. For example, I'm not sure where to put the dialdo I start at 80 or 120?
Of the few live audio demos I heard on the show floor, Triad's was among the most impressive. The company introduced its Cinema Plus home-theater package of in-wall speakers, including three modified Platinum LCRs in front, six Gold surrounds, and 12 modified Silver subwoofers powered by a total of 6kW. Also included in the package is a detailed installation plan from home-theater consulting firm PMI, acoustic treatments, and tech support.
Long known for exceptional value in DLP projectors, Optoma introduced another winner in this regard at CEDIA. The HD8600 is one of the only—if not <I>the</I> only—single-chip DLP projector with multiple lens options for less than $10,000. To be more specific, the projector with standard lens lists for $7500, while the long-throw lens option is $8600, and the short-throw version is $9500. It is said to output 1600 lumens with dynamic contrast of 50,000:1 thanks to Texas Instruments' Dynamic Black. To my delight, it also provides lens shift, which has been missing in the company's previous models, something I've complained about for years. The HD8600 will be available only through custom installers, not at retail.
This year marks the 20th anniversary of CEDIA's founding, a fact that was not lost on any attendees thanks to the ubiquitous signage, an example of which is shown here with Sony rep Jon Lin. A momentous occasion, to be sure. I just wish the celebration had been at a different venue—the Georgia World Congress Center was universally panned by everyone I spoke with. It's <I>way</I> too spread out, making it nearly impossible to walk from one end to the other in less than 20 minutes. And forget about getting anywhere offsite! Noel Lee, head monster at Monster Cable, was riding his Segue as usual, and I saw consultant Tony Grimani zipping around on a small razor-type kick scooter—maybe I'll get one of those for next year!
Price: $3,400 At A Glance: Great detail and color • Lower black level than most conventional LCDs • Integrated Internet TV • Menu system not my fave • Some off-axis discoloration
The Right Stuff
I’m old enough to remember when Sony introduced its first XBR models, which were top-of-the-line CRT TVs. Since then, the company has continued to use XBR in the model designation of its flagship flat panels, adding a number to indicate each new generation.