I could argue that the opening salvo of this report was delayed because I wanted the entire piece, which will appear in periodic postings over the next few weeks, to appear in 2010. Or that I figured no one would be watching during the holidays, tied up as they were with festooning the house with LEDs, pondering whether to send real cards or new e-cards (when you care enough to e-mail the very best), or spending hours lined up for <I>Avatar</I>.
Price: $2,700 At A Glance: Best blacks yet from Panasonic • THX certified • Excellent value • Superb off-axis performance
Plasma Brings the Juice
For many reasons, not the least of which is the sheer brightness that grabs eyeballs on the showroom floor, LCD HDTVs now outsell plasmas by a significant margin.
Price: $4,500 At A Glance: Deep blacks • Excellent resolution • Full range of color adjustments • Local-dimming LED technology
Back to the LED Future
Samsung, it appears, is going LED in a big way. Thirteen of its LCD sets in the 6, 7, and 8 Series use LEDs for back-lighting instead of CCFLs (cold cathode fluorescent lights), which until recently have been nearly universal in flat-panel LCD HDTVs.
Last week the History HD channel broadcast the multi-part documentary </I>World War II in HD<I>. Most of the footage was in color, dredged in an exhaustive two-year search from private collections or the back shelves of dusty museum storerooms. (Rumors to the contrary, it was not found in an Area 51 warehouse next to a crate with an ark in it.)
It all started when I wondered what kind of audio I'd hear from the Blu-ray players I had on hand if I used them from their analog outputs. Most Blu-ray player reviews treat audio playback as a given. But is it?
Price: $2,900 At A Glance: Unique 20-step calibration option • Crisp image with vivid color • Mediocre black level • THX certified
Calibration Sensation
The drop in the prices of flat-panel HDTVs during the past few years has been dizzying. While the news about this may be noisiest on the LCD side, the footsteps you hear are plasma racing back to stake its claim to the booty.
Price: $12,999 At A Glance: Fast calibration, accurate color • Superb detail • Video processing under par
Dynamic and Detailed
In these days of increasingly improved LCD and LCOS projectors, new DLP models seem to be few and far between. Some manufacturers have cut back on their premium DLP projector offerings (Sharp), and some have eliminated them altogether (Yamaha).
If I had to give a prize for the best sound at the show, it would be a toss-up between the Wilson Sasha W/Ps tied to Ayre electronics, discussed earlier, and the PMC MB2XBDi speakers (shown here) driven by Bryston electronics. Apart from room bass mode issues that all manufacturers had to deal with, the PMCs were superb. They were far too big for the space, designed as they are for professional applications. But the top modules of the towers are available separately (known as the MB2i), offering a more domesticated appearance for $21,000/pair. I didn't catch the price of the add-on bottom subwoofer modules, but am reasonably certain that for home use a duet (or, for home theater, a quintet) of MB2is will be a better fit—supplemented by a more conventional and inconspicuous subwoofer or two positioned where they minimize room interactions (co-locating the subwoofers with the main speakers almost never gives the best results).
So went RMAF 2009. The show also offered a wide selection of interesting and informative seminars, with presenters from the two major high-end, mainly two-channel audio print publications, <I>Stereophile</I> and <I>The Absolute Sound</I>, and others as well. If you missed the show this year, a 2010 edition is currently planned for next fall.
The company may be more widely known for clever ads that play on its naim than for loudspeakers, but Naim Audio's new Ovator S-600 might just change all that. There's enough innovation here to fill a review-length discussion, but the main feature of the system is the BMR (Balanced Mode Radiator) midrange/tweeter. The latter covers the entire spectrum from 380Hz to above the audible range. The dispersion is claimed to be similar that of a conventional midrange and tweeter array, but with the superior coherence possible when all the mid/high frequencies are coming from the same location. A brief listen indicated more than a little promise. The BMR also seems to be ideally suited to a center channel design, though there appear to be no immediate plans to offer one. The S-600 is expected to sell for just north of $10,000. A somewhat smaller, less expensive sibling is also expected.
You may not have heard of Bamberg Audio, out of Fishers, Indiana, but you might in the future. The company's Series 5 TMW offers a lot of value in this intriguing and fine-sounding $8300 package. The top modules are available separately, making them more or less suitable for surround and center channel duties.