Loudspeakers may not be the hardest things in the world to shop for (cars win by a landslide), but the search hasn't gotten any easier in the past few years, as the decline in dealers offering serious demonstration facilities (particularly the big-box, warehouse stores) has reduced the opportunities for an ears-on audition.
When you get that new speaker set you're going to need to configure and balance your system. The process described below describes AVRs, but both the features and steps you'll take are identical if you're using a "separates" system with a pre-amp/processor and power amp.
Spending a lazy summer afternoon running wires around the room to hook up a 5.1-channel speaker system is not a favorite family activity. Polls have shown, in fact, that most consumers who buy home-theater-in-a-box systems never even hook up the surrounds. Or if they do, they put them up front, further apart than the left and right speakers! Of course, that doesn't apply to owners of more advanced systems. Or does it?
You want the big screen experience. That means a projector and, obviously, a screen. Yes, you could just aim the projector at that white wall, or a neatly-pressed sheet. You'll get a picture, and the video police won't show up to drag you away to an ISF re-education camp.
We've been, and continue to be, big supporters of getting a video display properly calibrated. We do it in our reviews because it shows us best that a set is capable of. Just as significant is the fact that if you just present only the out-of-box result in a review, you're trying to hit a moving target. Different samples will differ, perhaps significantly, because manufacturers can't perform anything more than a rough setup on the production line. The average consumer won't notice the difference in the store, and it takes too long (and costs too much) to perform a tight calibration for everyone just to satisfy the discerning customer.
Samsung was first to market with a Blu-ray player in mid 2006: the <A HREF="http://ultimateavmag.com/hddiscplayers/706dsamsungbd/">BD-P1000</A>. While it's no secret that that player drew serious criticisms from us, and others, it's also true that the first batch of Blu-ray titles did it no favors.
It's been a busy, hot, sad, exciting, confusing, jumble of a month here at <I>UAV</I>, and there's a lot to catch up on. Rather than post several separate, shorter blogs at once, I'll mash them all together.
The $499 BDP-S300 is an important product, giving Blu-ray some much needed traction in the affordable player category. Combine that with recent news from rental powerhouse Blockbuster that it is expanding Blu-ray titles in its stores (at the expense of HD DVD in most cases), and the BDP-S300 looks like a no-brainer.
The price of machines that will play Blu-ray or HD DVD high-definition discs is coming down. The drop is faster on the HD DVD side of the battle lines, but at $499 Sony's new BDP-S300 is half the price of its (still available) first generation <A HREF="http://ultimateavmag.com/hddiscplayers/1206sonybdps1/">BDP-S1</A>.
A good flat panel with a punchy image, good color and detail, an excellent remote control, and a tempting price.
When HP introduced its first line of televisions, after years as a leader in home computers, it featured both flat panel and rear projection sets. Now, however, the company sells flat panel LCD and plasma designs exclusively. Its two new LCD models are both 1080p. Its two plasmas are both 768p—an odd number that originated in the computer world and manages to linger on, at least in plasma designs.