On June 11, 2009, I lost a cherished friend: the Sony Watchman TV I'd owned for 20 years. When analog TV broadcasts went dead that day, my Watchman, along with every other portable analog mini-TV, suddenly became useless. A few portable digital TVs have since appeared to fill the gap, but because the ATSC digital-TV standard wasn't designed for mobile use, none of them can deliver the reliable roving reception of my 1980s-vintage Watchman.
Call it the projection paradox. Projector owners are so devoted to their pursuit of a cinematic effect that they're willing to spend thousands of dollars more than the average TV buyer and endure lights-out viewing. Yet all the hot technology seems to go into those sexy flat-panel TV sets that people who don't know a pixel from a pineapple buy at discount stores while they're picking up tube socks and army-size bags of Cheddar Jalapeño Cheetos.
All audio experts agree that two subwoofers are better than one. With the fervor of a Star Wars nut explaining the Force, they'll tell you how using two subs makes bass response smoother for multiple listeners. But don't worry; it's easy to get the experts to clam up -- just ask them for an easy way to fine-tune the performance of two subs.
In the heyday of Blockbuster, music documentaries and concert videos were tough to find unless you were willing to settle for musty oldies like the Three Tenors or musty newbies like Britney Spears. But the rise of video-streaming technology - and in particular, Netflix's Watch Instantly streaming service - has made music-video content of all types easier to access.
Just when you think they're all done adding more channels to sound systems, they add a couple more. The June 18 premiere of Toy Story 3 also marked the premiere of Dolby Surround 7.1, a technology that allows a commercial cinema to add two additional channels of sound to the 5.1 channels they already have. The existing left, center, right, left surround, right surround, and low-frequency effects channels have been augmented with left back surround and right back surround channels.
I don't know who said, "You can never be too rich or too thin," but it wasn't a speaker engineer. Thinness is the enemy of good sound because in order to produce sound, a diaphragm of some sort has to move back and forth. The lower the frequency of sound, the farther back and forth that diaphragm has to move.
If you're more than 30 years old, you may remember when almost all speakers looked like the BIC RtR 1530 featured in a recent Parts Express e-mailer: big woofers and big enclosures, with little or no effort expended to make everything presentable. Nowadays, in the interest of gaining our domestic partners' permission to buy the damned things in the first place, we demand that our speakers be compact and gorgeous.
Did you know they stopped making speakers? Sure, you can still buy things that make sound when connected to an amplifier, but now they;re called "solutions." The idea here is to solve problems that emerge from the public's simultaneous love of good sound and hatred of the traditional speaker form factor. Solutions have been the mantra of late at Triad Speakers. In fact, some of the company's recent creations would have been considered downright crazy back in the days when the opinions of enthusiasts dictated speaker designs.
A home theater can sound great, but there's a certain excitement that comes with watching a movie in a large theater packed with giant professional speakers. The sound is just bigger - more like what we expect movies to sound like.