Emotiva made its name by offering high-end audio electronics that look like they cost thousands but actually cost hundreds. With the X-Ref line, it’s trying to do the same in speakers. The company has offered speakers in the past, but X-Ref is its first concerted effort to deliver a broad line of speakers at prices low enough to attract budget-minded-yet -serious home theater enthusiasts. The line includes two tower speakers, two LCR (left/center/right) speakers, two bookshelf speakers, one surround speaker, and two subwoofers.
When I attended my first Consumer Electronics Show in 1990, Microsoft was a relatively small company that had had one real hit (MS-DOS) and was struggling to gain traction with its other applications. I don’t think the company even exhibited at CES back then.
The Consumer Electronics Show begins next Tuesday in Las Vegas. Starting Monday — press day — you’ll be barraged with news of the latest gadgets and gizmos. But what gadget bloggers and TV talking heads are likely to miss in their search for sexy baubles is all the stuff that’s going on in audio.
Mention noise-cancelling headphones and most people think of large, over-ear models like the Bose QC15. Comfy as those big cans can be, they’re waaaay too big to slip into a pocket or purse. But not all noise-cancelling headphones come in cases sized like jumbo donuts at the State Fair. In fact, a few manufacturers have added noise-cancelling technology to their in-ear monitors (IEMs), using a little “lump in the line” to house the needed electronics.
One might fairly ask, though: Do IEMs really need noise cancelling? After all, when used with tips that fit your ears properly, IEMs completely seal off your ear canals. However, IEMs do most of their noise-blocking at frequencies above 1 kHz. Below that, they’re not so effective at keeping the noise out.
CES kicks off with Unveiled, an event that crams a thousand or so members of the press, most of them desperate for a snack and a free drink, into a loud, stuffy ballroom full of manufacturers exhibiting a few key products in tiny booths. It’s so loud inside that any serious demos are impossible. Why do I go?
Cutting the cable” is a fashionable trend, but Monster is doing it in a different sense: It’s now just going by Monster instead of Monster Cable. True to its new moniker, the company didn’t even mention cable in its CES press conference today. But given the onslaught of cool new products the company introduced, nobody seemed to notice.
CES 2012 was the coming-out party for Sony’s in-ear headphones. Nearly buried in the talk of cell phones, media managers, and 3DTV was the announcement Monday night of Sony’s first line of balanced-armature in-ear monitors (IEMs). This step up to a higher class of product shocked me for two reasons.
I had no idea when I wrote my CES Audio Preview how right I’d be. I predicted that Bluetooth and AirPlay wireless technologies would be making their way into tons of new audio gear, and sure enough, at CES both were as common as bad food. Bluetooth and AirPlay make extra-good sense in compact audio systems, which you’re likely to use with smartphones and computers.
Surely there’s never been such a vast display of headphones in the history of the universe as at CES 2012. From super-high-end models to bottom-feeder stuff, there was something for every budget and every taste.
For audio geeks, most of the real fun at CES is over at the Venetian Hotel, where high-end (and not-so-high-end) audio companies demonstrate their products in dozens of guest suites. While the rooms in the Venetian are known for $200,000 speakers, $100,000 amps, and $20,000 speaker cables, you can also hear great speakers and amps for as little as a few hundred dollars.