Price: $1,200 At A Glance: DVD-processor console contains all amplification • Single cable connection • Doesn’t accept HD video or lossless audio from Blu-ray
Do You Believe in Magic?
Bar-type speaker systems like the Polk SurroundBar 360˚ are a logical response to the flat-paneling of modern homes. The form factor of a single horizontal speaker makes sense to use below the bottom edge of a flat screen (or perched atop a rear projector). But surround, by its nature, likes to spread itself around the room. And it does so for the same reason that pictures like to be big—to engulf the senses and take the viewer/listener to another place. But how can a single bar speaker spread itself around when it’s confined to a single enclosure? That’s the question Matthew Polk set out to answer with this product.
CES attendance was down a bit more than expected, according to figures released on the last day of the show by the Consumer Electronics Association. 2008 attendance had been 147,000. Estimated attendance for 2009 had been 131,000. But in its press release, CEA has revised those numbers downward to 110,000.
What did the 2009 Consumer Electronics Show tell us about the future of CES and our industry in general? That was the question on everyone's lips. When asked "how are you," I cheerfully answered: "employed." This never failed to bring a smile. CES 2009 was hardly a failure. While it did not draw the 147,000 people of 2008, it still mustered 110,000, according to a press release from the Consumer Electronics Association. That is not too shabby by any standard. On the magazine's audio beat, I found fewer audio exhibits in the South Hall, but more at the Venetian, so seeing stuff and blogging about it kept me busy.
The AVR600 ($5000, bottom) is the first HDMI receiver from British manufacturer Arcam and therefore the company's first model to support lossless surround. It's HDMI 1.3, of course -- otherwise why bother? -- with five ins and two outs. The seven times 120 watt amp is Class G, which combines Class AB power output with a linear tracking power supply that ensures peaks are well-supplied with juice. Though Arcam had previously used Class G in HTiB products, this is the first implementation in an a/v receiver. Shipping in February. The company also showed a prototype of a forthcoming Blu-ray Profile 2.0 player (top) – Tom has the details below.
This company, once known for beautifully simple and relatively affordable British-made turntables, has branched out into other territories, including the Screen 2 on-wall speaker ($4399/pair). It's roughly four feet tall, and weighs 44 pounds, but is just four inches deep. The driver array includes an eight-inch woofer, two five-inch mids, and one-inch tweeter. The wall bracket is a simple two-piece affair. One part attaches to the wall and the other part to the speaker, so it's easy to remove the speaker from the wall. Revolver has an even bigger on-wall in the planning stage.
Say hello to Acoustic Technologies, which made its world debut at CES with a product three years in the making. The Classic is a slim tower using a single three-inch full-range driver. Why not do woofers and tweeters? Because they insert a crossover, and with it various irregularities and ill effects, into the signal path. Don't laugh -- this speaker had a highly natural, pleasing, gentle, ungimmicky sound with a well developed midrange and good soundstaging. Vocals sounded just right. Complementary models will arrive next year to bring the new company into surround territory.
The 1.25-inch Teteron tweeter in this year-old DCM speaker line is called "synthetic silk." It's said to be as thin as silk, distinguishing it from other synthetic drivers, but is stronger and impervious to moisture. Here it's part of the TFE200 tower ($1000/pair), TFE60C center ($350), and TFE160BDP bipole/diple surround ($500/pair). DCM makes it and the other drivers used in the series, which include 6.5-inch kevlar or glass fiber woofers.
The RBH 8300 tower ($8300/pair) is second from top of the line. It has three eight-inch woofers, two 6.5-inch mids, and a 1.1-inch silk dome tweeter. Except for the tweeter, sourced from ScanSpeak, all drivers are proprietary. Thirty finishes are available. Matching center and other models will spring from the loins of RBH's designers in due time.
While I liked the HDMI-equipped jack panel at the Mirage -- and envied Tom's at the Hyatt even more -- the aspect ratio on my Philips LCD set left something to be desired. The hotel appeared to be feeding 4:3 analog signals and using the stretch mode. Suze Orman and Anderson Cooper couldn't have gained that much weight, could they?
"We like the sound," said the MK Sound folks in response to my question -- "why an analog bass management controller?" The DMC-1 accepts five XLR input for line-level loop-through. Available in February for $1200. MK is the newly returned heir to the M&K legacy, so expect to see lots of classic models return with upgraded parts to make them even better.