Chris Chiarella

Once again, the studios have saved some of their very best releases for the warm weather months. Settle in with a cool drink for a wide variety of films—and a couple of soundtracks—both high-profile and under-the-radar, across a range of genres, decades, and even different languages.

After early stints writing comic books and the screenplay for Richard Donner’s Assassins, the Wachowskis (Lana and Lilly) were ready to make their directorial debut with Bound, an edgy suspense thriller with a surprisingly sweet, intense love story at its core. Jennifer Tilly and Gina Gershon star as two women who concoct a risky scheme to steal $2 million from the mob as a way out of their mob-connected lifestyles. As often happens, their careful plotting counts for nothing when miscalculations send the plan sideways.

Pi tells the story of Max Cohen, a tortured mathematical genius who sees the world as few do, detecting the patterns that exist all around us. He’s searching for an elusive 216-digit number that could have applications in the stock market and even in the divine, but his obsession might be killing him, or driving him insane, or both. And then paranoia creeps in, as forces seek to exploit his not-so-beautiful mind. What the filmmakers lacked in dollars they more than made up for in creativity, yielding a brisk, gripping tale told with genuine tension.

Across a career now spanning 40 years (if we use the version of his résumé that lists The Terminator as his debut), James Cameron has proven himself as one of our most popular filmmakers. His oeuvre totals fewer than 10 movies, yet they have been much-appreciated mdash; including two that were top box office champs — so newer, superior disc releases are seemingly forever at the top of fans’ wishlists. Fox/Disney recently sent us a trio of long-demanded Cameron films in so-called Ultimate Collector’s Editions, available for the first time on 4K disc: Aliens, The Abyss, and True Lies. Let’s explore them in the order of their theatrical release.