Ken C. Pohlmann

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Ken C. Pohlmann  |  May 18, 2020
You can tell the age of a tree by counting its rings. You can tell the age of a person by counting the number of times they say something anachronistic. For example, if I start talking about Compact Discs, kids will instantly identify me as being, uh, mature. They will make snide remarks about the La Brea Tar Pits and mastodons. Kids can be cruel. Ask me how I know.
Ken C. Pohlmann  |  Jun 19, 2018
With all due respect to sloths (arboreal mammals that hang upside down from trees) we (humans) are total sloths (ie. reluctant to work or make an effort; lazy). To prove my point, your Honor, I submit Exhibit A, those red Netflix mail-in envelopes.

Ken C. Pohlmann  |  Jan 07, 2014  |  Published: Jan 08, 2014
The International CES is where new technologies are launched. Experts discuss what the market potential is, what consumers in that market really want, and how companies can deliver it. To that end, a show-within-the-show was created for hi-res music and the emerging market for high-fidelity recordings. Three panels are being presented, each with industry leaders with their pulse on hi-res music. The first panel discussed opportunities and challenges associated with the licensing and distribution of hi-res music recordings. Two subsequent panels will discuss ways to create and archive hi-res content, as well as ways to market hi-res titles.

Ken C. Pohlmann  |  Jan 08, 2014
The third (and final) installment of the Hi-Res panels brought together experts from the retailing side of the business. Each panelist has a footprint in the hi-res market, and is knowledgeable of the inner workings of the market. They discussed ways to promote and retail hi-res products. Also on the agenda were challenges such as the need to demo hi-res playback to customers, and ways to educate and engage young generations of listeners.

Ken C. Pohlmann  |  Jan 07, 2014  |  Published: Jan 08, 2014
The second installment of the hi-res music panels focused on content creation. Clearly, garbage-in, garbage-out. For great-sounding music in our homes, we must rely on engineers and producers to create it in the studio. Complicating that picture is the fact that artists and labels must also agree that sound quality is an important part of the job at hand. The panel tackled those and many other hi-res issues.

Ken C. Pohlmann  |  Nov 08, 2011

The genius of Pink Floyd's music is intertwined with the genius of the recording of the music. And the innovative studio techniques used by the band and its producers and recording engineers are integral to the music. It's impossible to imagine The Dark Side of the Moon without vital creative touches such as the sound of clanging money or thumping heartbeats. Perhaps no other band has pushed the technical envelope so aggressively, or profited from it so enormously. The catalog of their works is one of innovation - both musically and sonically.

Ken C. Pohlmann  |  Apr 08, 2024
I have great news for you! All that gear in your home theater will soon be junk. Or, more specifically, obsolete junk. You see, Artificial Intelligence (AI) will soon revolutionize everything, including audio/video. Instead of wasting precious time twiddling knobs, you will simply have a pleasant conversation with an AI that, I am told, is far more intelligent than any of us.
Ken C. Pohlmann  |  Jun 22, 2020
I know, I know. Your plate is full. I won't recite the litany of things already on your mind. We've already recited that list plenty of times. Speaking for myself, I religiously devote a solid hour every night, usually between the hours of 3 am and 4 am, to reciting the list. Well, here's another thing for the list: SSL certificates. In particular, they seem to be expiring.

Ken C. Pohlmann  |  Jul 01, 2024
Is this one giant step backward for technology? Another example of the evils of technology? Or just another case of misguided youth? It's hard to say. And I don't want to read too much into a small thing. But sometimes trends portend the future, and in this case, this is a future I don't particularly appreciate.

Ken C. Pohlmann  |  Feb 14, 2022
Many years ago, I would ride my bicycle to the neighborhood record store, lean it against the window (no need to padlock), spend an enjoyable hour lipping through LPs, pick one out, and buy it (cash, of course). I would then slip it into my backpack and ride home, put the needle in the groove, and enjoy the sound of my purchase. Oh, how times have changed. In particular, the cool kids are now buying music as non-fungible tokens (NFT).

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