Tom Norton

PRICE $2,800

AT A GLANCE
Plus
Screen size
Black levels
Price
Minus
Limited off-center viewing
Cluttered remote

THE VERDICT
The TCL 85QM8 has a few annoying ergonomic issues, and like most LED/LCD sets its off-center viewing won't challenge an OLED. But its performance is impressive, and its price unexpectedly affordable. Properly adjusted, and on source material ranging from the routine to the awesomely difficult, its performance was consistently irresistible.

One significant difference between building a home theater around a video projector or a conventional flat-screen television has been image size. Projector fans will point to the immersion that big-screen projection offers, with the screen size limited mainly by your available space, imagination, and budget. Until recently, however, TVs bigger than 65-inches were priced beyond the means of most consumers.

From Bryston in the Great White North comes the Torus RM100 BAL, a power line conditioner designed to not only totally isolate your system from garbage and spikes on the AC power line, but to provide higher instantaneous peak current, acting as a very low impedance current source, to juice-hungry components such as large power amps. This monster, with its humongous toroidal transformer, is MUCH bigger than the picture suggests (27"x 20.5" x 10.5", 220 lbs). $8500.

Texas Instruments answers the challenge of new LDC and LCoS projectors with the new Dark Chip 4 1080p DLP digital micromirrror device. Claimed to produce a native contrast ratio of up to 15,000:1, it will soon appear in DLP projectors from Marantz, SIM2, BenQ, and, in 2008, likely others as well. An impressive TI demo utilized a new SIM2 DC4 1080p projector. The modified Samsung in the photo also sported a DV4 chip. I'm not sure where the 100,000:1 claim came from, though. A tad optimistic, perhaps?

On the day before the show opened, the isles were clogged with crates, ladders, and fork lifts doing the Indy 500 shuffle. For how it all looked when the crowds rolled in, scroll down until you get to the beauty shot taken on Thursday morning, opening day. Viewing the chaos on the day before, you never think they'll be ready to open on time. They always are. Kudos to the dozens of behind the scenes "stagehands" without whom there wouldn't even be a show.