As I wrote in a previous blog entry, there are two approaches to 3D that use passive glasses, and I explained one of thempolarizationin that entry. Here, I'll explain the other one, which is marketed by Dolby Labs and called, appropriately enough, Dolby 3D.
As you probably know by now, 3D movies are all the rage in commercial cinemas these days. In most cases, however, these presentations require a special screen, and the image can't be larger than about 40 feet wide due to the loss of light that polarized systems inflict. To address the first problem, Dolby has developed a 3D system that can be used on any screen, and a new partnership with Barco addresses the second problem. Using two stacked projectors, the combined light output is enough to fill screens up to 70 feet wide.
Following an initial showing at CES in January, Dolby Laboratories and SIM2 demonstrated their latest prototype LCD flat-screen display in New York on Monday. The panel utilizes Dolby's LED backlighting with local dimming, which the company calls HDR (high dynamic range). This moniker is highly appropriate, since the LEDs behind dark portions of the image can be dimmed or even turned off completely for black areas, resulting in a literally infinite contrast ratio!
This morning, I attended a press preview of the newly renamed Dolby Theater at the Hollywood and Highland complex in Hollywood, California. The official unveiling of the venue's new signage will take place this evening amid throngs of peoplean extravaganza not unlike the Academy Awards ceremony that makes its home thereso I was glad to get a sneak peek beforehand.
As I recount in my coverage of the world premier of Brave, it's the first movie with a soundtrack mixed for the Dolby Atmos sound system, which envelops the audience much more than conventional 5.1 or 7.1. But as a brand new technology, Atmos is currently installed in only 14 theaters around the country.
Do you live near one of them? If so, I strongly recommend seeing Brave there so you can experience the next generation of cinema sound. Here's a list of theaters with Dolby Atmos:
Dolby has been working on an LED local-dimming system for LCD TVs for a couple of years, but now it's finally finished and ready for manufacturers to use in their products. It comes in two flavors—Dolby Vision is intended for prosumer, commercial, medical, and industrial applications, while Dolby Contrast is intended for consumer TVs. Pictured here is a 47-inch prototype implementation of Dolby Vision from SIM2. I also saw a demo of Dolby Contrast next to a Samsung 950 LCD with local dimming, and the difference was clear—the set with Dolby Contrast had better contrast and lower blacks, and the colors popped more.
<IMG SRC="/images/archivesart/headshot150.sw.jpg" WIDTH=150 HEIGHT=200 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>As digital television emerges as the home-entertainment medium of the new century, the convergence of audio/video broadcasting and the Internet is inevitable. After all, DTVs are nothing more than computers dedicated to A/V tasks; it seems a simple matter to include telecommunications capabilities as well. This convergence is made even easier with the increasing use of broadband cable modems, which access the Internet via the same infrastructure that brings television to roughly two-thirds of American homes.
<IMG SRC="/images/archivesart/headshot150.sw.jpg" WIDTH=150 HEIGHT=200 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>Recently, <I>UAV</I> contributor Michael Fremer sent me a copy of an e-mail containing an e-discussion he was having with Gary Shapiro, president and CEO of the Consumer Electronics Association (CEA). The topic of their e-conversation was a petition by the Consumers Union (CU), a non-profit organization that publishes <I>Consumer Reports</I>. The gist of the petition is given on their Web site:
<IMG SRC="/images/archivesart/headshot150.sw.jpg" WIDTH=150 HEIGHT=200 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>We live in troubling times. Many people look at our society and see an increasing erosion of morality and civility, which leads them to yearn for the perfect suburbia as depicted in early television sitcoms such as <I>Father Knows Best</I> and <I>Leave It to Beaver</I>.