Kris Deering

<IMG SRC="/images/archivesart/spaceballs.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT><i>When the evil Dark Helmet (Rick Moranis) attempts to steal all the air from planet Druidia, a determined Druish Princess (Daphne Zuniga), a clueless rogue (Bill Pullman) and a half-man/half-dog creature (John Candy) who's his own best friend set out to stop him! But with the forces of darkness closing in on them at ludicrous speed, they'll need the help of a wise imp named Yogurt (Mel Brooks) and the mystical power of "The Schwartz" to bring peace and merchandising rights to the entire galaxy.</i>

The Spears & Munsil (S&M) UHD HDR Benchmark is a video test disc developed with a wide range of users in mind. It has basic video setup and evaluation patterns aimed at the general consumer, but also patterns and features designed for use by professional calibrators, reviewers, and even manufacturers. Unlike S&M's previous test disc, the HD Benchmark, this version does not include general explanations on how to use the patterns wrapped into its interface but is still easy to navigate and use. (Tips are posted on the spearsandmunsil.com website that will help to get the most from the disc's content.)

PRICE $3,097 (as reviewed)

AT A GLANCE
Plus
Pristine image with no obvious artifacts
Nearly perfect brightness and color uniformity
Minus
Performance hinges a lot on room
May not provide the gain needed to achieve desired brightness

THE VERDICT
The StudioTek 100 provides the most accurate picture I’ve ever seen from a screen at home. While it demands a truly dark viewing environment—and a bright projector—it’s worth the effort if you want the best image possible.

Your video playback system is like any other part of your home theater: It is only as good as its weakest component. In the last five years, massive improvements have been made in both video sources and playback systems, but we’ve also seen a huge growth in the options for projection screen materials. There are new designs that bring great flexibility, allowing customers to do front projection in rooms that they never would have considered before. But most of the time, just like with fancy video processing, these new, exotic materials give you one thing but take away another, imparting visible artifacts to the image such as sparkles, texturing, and hotspotting.

If there is one reoccurring theme at the show it’s that your subs are nowhere near big enough. California Audio Technology seems to have gotten the message with their in-wall 18” drivers. These were actually some of the smaller subs I saw around the floor.