When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.
To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we're biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.
To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we’re biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.
The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.
The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.
Of the companies catering to the custom market, BG Radia is one of the few that does things differently.
A product that functions imperfectly yet possesses a singular character can be as enjoyable to own as one that delivers unassailable performance. Before you argue the point, know that millions of Harley owners stand ready to back me up.
When B&W launched the Zeppelin back in 2007, it created a whole new category: the high-end lifestyle audio system. The Zeppelin cost a whopping $599, but it sounded much better than the other iPod docks of its time, it looked like no other audio product in history, and it sold like crazy.
If you’re sick of trying to choose among dozens of lookalike IEMs in the racks at electronics stores, you’ll find the C5 to be welcome relief. This IEM resembles nothing else on the market. The back of each titanium earpiece holds B&W’s Micro Porous Filter, a layer of hundreds of tiny steel balls that the company says works as a sonic diffuser.
Compact Bluetooth speakers are all small enough to toss into a suitcase-but they're not all tough enough to survive the trip. But I knew the Braven BRV-1 was different when I first pulled it out of its package.
With rubber bumpers covering most of its surface, rubber control buttons, and a bolted-on perfed metal grille, it looked tough enough that I could toss it onto the wooden floor of my office. So I did. Not necessarily a smart thing to do with a review sample, but when I went to mate my Samsung G3S phone with the BRV-1, everything worked just fine. I repeated the demo for my fellow Tech^2 blogger Geoff Morrison and frequent West Coast headphone tester Will Huff, and the BRV-1's still working, still not showing a scratch.
Held up against the $3,499 Velodyne DD-12+ and other high-end 12-inch subwoofers that populate the CEDIA Expo, the $399 Cadence CSX-12 Mark II seems incredibly affordable.