Brent Butterworth

Audioengine is the darling of the desktop audio set, producing mostly small, affordable powered speakers that tend to be used on desks and credenzas. The P4 is the company’s sole passive speaker, with a 0.75-inch silk-dome tweeter, a 4-inch Kevlar-cone woofer, and a front-slotted cabinet. At 9 inches high, it’s the second most compact model in this roundup.

When I’m asked to pick my favorite headphones for S&V’s Editor’s Choice awards, it’s always easy. I just make a list of the ones I kept using after the review was done—the ones I listened to even when I didn’t have to. After our test of affordable audiophile headphones last year, the headphone I kept on using afterward was the AudioTechnica ATH-AD900. It’s a big, comfortable, spacious-sounding, tonally neutral open-back headphone. Just the thing for streaming Internet radio for hours while I’m writing, or to use for an all-night-long Netflix binge.

That’s why I was so happy to find a successor to the ATH-AD900 at the January CES show. The ATH-AD900X has the same list price, pretty much the same specs, and similar looks.

Has there ever been a headphone brand so controversial as Beats? It's undeniably popular; just walk around any downtown or airport in any industrialized country and you're almost sure to see a set. Yet audio enthusiasts-including the ones at Sound & Vision-often deride Beats' sound quality.

It's weird for a 50-year-old audio writer to be reviewing a product that's targeted at people half his age or less. Guys my age like products labeled "audiophile-grade" or "reference," not "Nuke" or "Boom." Meaningless as such marketing terms are, though, you gotta figure Behringer did something to make the iNuke Boom Junior iPod/iPhone dock earn its badass moniker.