People are watching more network TV shows on the internet and I wondered what it would be like to be one of them. I'm the first to admit I'm not crazy about watching anything longer than three minutes on my PC monitor--even after upgrading to a 24-inch 1080p NEC. Still, I couldn't resist doing an hour of Star Trek from CBS.com. I figured if I could get through season one, episode one--"The Man Trap"--I might do a few more. Slow data rate and low res were givens. My first frustration beyond that was that the Adobe Flash Player wouldn't let me upscale the image to fill the screen. That meant I had to either stick to my desk chair or squint at a postcard-sized image from my armchair across the room. Buffering errors interrupted the flow of the program three or four times. As for the ads, I saw the series in the original telecasts (yes, I'm that old) and ads didn't bother me then. If anything, the online ad interruptions were fewer and briefer than typical broadcast TV. But the ads were painfully loud compared to the volume level of the program. Again, that happens on broadcast TV too, but in this case the disparity was extreme, and got even more irksome during one ad with substantial low-bass content, which turned my desk sub into a blaring bass bomb. Unfortunately my Onix desktop amp doesn't come with remote control. Altogether, I won't do it again unless I can get a full-screen image and a reasonable ratio between program and ad sound levels. These are solvable problems. Over to you, CBS.
One of the most significant pieces of the transition from analog to digital TV broadcasting fell into place with the recent announcement that major retail chains would carry the set-top boxes necessary to keep analog sets from going dark.
A promising new encoding method from Meridian, maker of world-beating active loudspeakers and other digital audio hardware, has been adopted by Tidal and 7digital, two major forces in music streaming. Tidal is the Norwegian company whose lossless 16-bit streaming has gotten audiophiles interested in streaming. 7digital operates music download and streaming services for itself and other parties and was the first company to offer DRM-free MP3 downloads in 2008.
It’s no surprise that Parks Associates finds 59 percent of U.S. broadband households subscribe to a streaming service like Netflix, Amazon, or Hulu—or that the trend is upward. But those streaming subscribers are also in an exploratory mood, with “an increase in households subscribing to two, three, or even four or more services,” reports Brett Sappington, Parks’s senior research director.
Online streaming outfits are turning themselves into studios, bankrolling movies and TV series. Before you scoff, did you watch Netflix’s House of Cards? We did, blasting through all 13 episodes in the first month of availability. The series, with Kevin Spacey as a Machiavellian congressman, has made 86 percent of Netflix subscribers less likely to cancel, says a Cowen and Co. survey. We can’t wait for the second “season.”
Sir Howard Stringer, CEO of Sony, has finally conceded what other observers have been saying for some time: The format war between Blu-ray and HD DVD is stalled in a stalemate.
Students at Cornell, Purdue, George Washington University, and other schools won't download music from university-approved services even if it's free, according to The Wall Street Journal. These and other schools began offering free (often meaning subsidized) downloads to prevent illegal downloads from attracting lawsuits and choking servers. But these experiments have flunked for several reasons. Onerous DRM restrictions are often attached. For instance, the download may be free, but transferring to a music player or burning a CD may not be. At Cornell, students lost interest in Napster when they discovered they'd lose the right to use their downloads upon graduating. The non-iTunes services have also met resistance from iPod and/or Mac users, the latter an estimated 20 percent of the student population.
Samsung is the object of a Hollywood feeding frenzy. Five studios are suing the manufacturer for selling the DVD-HD841 DVD, DVD-Audio, and SACD player, though it was available for only a few months in 2004. Apparently this universal player was a little too universal. Like many players still sold, it allowed the regional coding feature to be easily hacked with a few remote keystrokes. Worse, from Hollywood's point of view, was its content-security weakness. Hackers found ways to defeat HDCP, allowing upconverted DVD content to be copied from the DVI output. Of course, the new Blu-ray and HD DVD formats have state-of-the-art security features, but they're being rushed onto the market before the ink has dried on the security-tech agreements. Looks like the studios are ready to pounce if any little accidents give pirates an advantage.