The LVCC brain trust offers a new innovation in pedestrian traffic management--the double yellow line. Presumably that means stay to the right (though that didn't stop some of these guys) and don't try passing anyone (though that didn't stop me).
Plug in your cable feed and kiss that box goodbye.
I decanted Hitachi's 32HDL51 as though it were a vintage wine—delicately, so as not to stir up the sediment. I didn't want to lose a single one of its 1,049,088 pixels. This 32-incher converts all incoming signals to its native resolution, 1366 by 768, but processes video in the ultra-high-res 1080p format.
Hitachi bills four new 42-inch plasma models as 1080-line-capable. The following information is for numbers-obsessed videoholics only: The relevant model numbers are 42HDF39 ($2299), 42HDS69 ($2499), 42HDT79 ($2999), and 42HDX99 ($5299). Nominally these are 1080i, as opposed to 1080p, displays though at 42 inches that distinction is negligible. However, it's the vertical resolution that's 1080 lines. Horizontal resolution is actually 1024 lines, as opposed to 1920 in the 1080i ATSC broadcast standard (1920 by 1080). So three of these models are 1024 by 1080, and the lowest-priced is actually 1024 by 1024. Got all that? The difference probably stems from the inherent limitations of Hitachi's highly rated plasma manufacturing technique, which involves vertical channels of pixels crisscrossed by horizontal lines of electrodes. I got a preview at last week's press event in New York though production models will not arrive till later in the year. Up close and personal, the prototype looked pretty spiffy. I could see the dots only from two or three feet. Beyond that the picture looked seamless. The bottom line is that these 42-inch plasmas can show 1080 lines in a test pattern. Try that with a crayon and a piece of paper. Bet you can't do it.
Harman Kardon, the first receiver maker to feature Dolby Volume, has added it to three models. That's good news because Dolby Volume will even out level differences among source inputs and make dynamically extreme movie soundtracks less excruciating. The new models start at $600 and 50 watts times seven for the AVR 1600. Step up to the AVR 2600 for $800 and you'll get 65 wpc, Faroudja Torino video processing, and compatibility with the Bridge III (optional) which brings iPod docking and charging. Step further up to the AVR 3600 for $1200 and get 80 wpc with the Bridge III supplied. We hope to get the latter (pictured) for review.
Harman Kardon has announced that three of its receivers will be able to receive firmware updates that will bring them into compliance with HDMI 1.4a and therefore 3D, among other features.
Consumer electronics products saw a six percent sales increase during the week after Thanksgiving. Why isn't this good news for the industry? Because it marks the first time growth has been measured in mere single digits since NPD started tracking data six years ago. In contrast, 2006 saw a 12 percent hike in dollar volume, and in 2005 it was 15 percent.
It's been more than a decade since I blogged on holiday survival tips. The advice I gave then (in the form of a diablog, amusingly enough) is evergreen: You should save all packaging and boxes, remember how to repack intricately packed products, save store and credit card receipts, keep on top of rebates, start an electronic junk drawer if you don't already have one, label power adapters, file manuals and other product docs, prepare to mentor the receipient, write the serial number on the manual, and be nice to customer support people, should you need one. All that is still good advice. But I missed a few things...
Public Knowledge and a half-dozen other consumer groups are leading the charge against selectable output control, Hollywood's attempt to deny signals to the component video inputs on early (in fact, all) high-definition TVs.
Warner Bros. will distribute movies and TV shows through BitTorrent, essentially adapting a technology developed for file sharing to legal use. BitTorrent's "file swarming" technique does not download entire files from a central server. Instead it assembles a piece of content using bits from several other computers in an ad hoc network. The company's first step toward respectability came last year, when it removed illegal movie content and links from its site at the, uh, ah, request of the Motion Picture Association of America. Soon you'll be able to file-swarm new movie titles on the same date as the DVD release (price not announced) or TV shows for a buck. The download may either sit on your hard drive temporarily, for a single use, or be backed up to a DVD, though it would still play only on the PC that recorded it. Whether the rules will evolve is uncertain, and no one's given a start date, but the concept seems promising. The studios are already dipping their toes in other forms of digital home distribution.