CEDIA 2012

Sort By: Post DateTitle Publish Date
Tom Norton  |  Sep 06, 2012  |  0 comments
It seems that every screen maker these days is offering a 2.35:1, curved screen. The advantage to such a screen is its cinematic look. The disadvantages are possible geometry issues, cost, the fact that it can't be retracted, and possible audio concerns (a concave surface near your speakers isn't a plus). Elite joins the parade with its Lunette curved screens, available with several different screen materials, including a new woven acoustically transparent design (with an effective gain of under 0.9) and the company's 1.1 gain non-perf white.

The surprise here is the price structure. In a world where some curved screens command five-figure price tags, a 103-inch diagonal Lunette will set you back about $1500. Other sizes are available. Unfortunately, the woven, acoustically transparent screen will almost double that price. That's because while Elite screens are made in China, the woven material is available only in the U.S.

Mark Fleischmann  |  Sep 06, 2012  |  0 comments
Paradigm is greeting its 30th anniversary with two extraordinary limited-edition speakers, the monitor-size Inspiration (only 300 to be made) and the Tribute tower (only 200 to be made). The camera flash made their dark gloss cherry enclosures gleam red though under ordinary lights they were duskier. Under the surface are seven layers of medium-density fiberboard. The tweeters are pricey beryllium and the seven-inch woofers are C-PAL carbon-anodized pure aluminum. The demo featuring the tower wowed us with awesome, effortlessly extended bass, sweet tangy brass, and a close-up and personal vocal perspective. While a companion center was not shown, there's probably something suitable in the Reference line, so there's no reason not to contemplate using these babies in a surround system. The monitor and tower ship in late October for $1299/each and $2999/each respectively. Get 'em while you can.
Tom Norton  |  Sep 06, 2012  |  0 comments
First impressions on the first day included the absence of some major players (Samsung, Panasonic, and apart from a small off-site event to launch its 4K, 84-inch HDTV, LG) leaving Sony the only heavy hitter in the flat panel business present. Many booths were smaller. Bowers&Wilkins/Classe/Rotel were hardly the only ones to downscale their square footage on the show floor-though in their case they have also set up shop at an off-site hotel.
Mark Fleischmann  |  Sep 06, 2012  |  0 comments
As lossless surround addicts, we deplore pricey soundbars that don't support HDMI and therefore lack lossless surround compatibility. Definitive Technology does it right with the SoloCinema XTR, as you can see in the picture, with three HDMI ins and one out in addition to optical and analog. The 5.1-channel bar is the first we've heard of to feature the Dolby Volume volume-leveling and low-volume listening mode: a huge plus. Three aluminum tweeters and three pairs of three-inch convex aluminum woofers are under the hood. The outboard sub has an eight-inch woofer in a flat enclosure that can go against a wall or under a sofa, with three spacer feet. In the demo the bar produced surprisingly discernible and well-imaged surround effects to the side and slightly behind the listener. The remote's highly tactile design helps you feel around for the right button in the dark. Product started shipping in small quantities this month but won't hit its stride till October, at $1999.
Mark Fleischmann  |  Sep 06, 2012  |  0 comments
We always regret having to resort to torture, but with bamboo under the fingernails and a threat of the iron maiden we finally convinced Revel to start shipping its long-awaited Performa3 speakers starting in two weeks (and if it doesn't happen, we've got thumbscrews). The line features two of everything: towers, monitors, centers, sub, and a single bipole surround. Gloss walnut and black finishes are supervised by Italian craftsmen and the speakers are produced at an Indonesian facility that has air conditioning—it's nice to run across a star designer (Kevin Voecks) who refuses to accept the torturing of workers. All drivers are proprietary aluminum cones or domes. Priced per speaker, the towers go for $2500 and $1750, the monitors for $1000 and $750, the centers for $2000 and $1000, the subs for $3000 and $2000, and the bipole is $900. The top-of-the-line F208 tower and C208 center have both tweeter and boundary level controls for extra flexibility in acoustically difficult spaces. Revel also introduced the 2-Series of four in-ceiling and three in-wall speakers including the home theater worthy W253L LCR with 1-inch tweeter and dual 5-1/4-inch woofers.
Mark Fleischmann  |  Sep 06, 2012  |  0 comments
The long-awaited debut of the Atlantic Technology H-PAS PowerBar 235 will come in about two weeks, when it will finally ship, offering the most extended bass you can get in a bar thanks to ingenious multi-chambered enclosure design. Numerous tweaks over the last few months include the addition of DTS decoding, and Atlantic makes a big point of having on-board Dolby Digital decoding as well, as opposed to counting on a conversion to PCM (which we're told some new LG TVs won't do). More tweaks: vocal enhancement to push dialogue forward, left-minus-right surround expansion, a less aggressively illuminated display that fades to black after confirming setting changes, and replacement of the see-through grille for something more discreet.
Mark Fleischmann  |  Sep 06, 2012  |  0 comments
Focal's Sub Utopia EM earns its $13,999 pricetag with the use of an electromagnetic active voice coil, pictured to the right of the sub. This affords its 13-inch driver a degree of control and damping not possible with a conventional passive voice coil. Outboard amp required, 500 to 1000 watts recommended. Focal also showed three multimedia speakers: the Little Bird, the Bird, and the Super Bird, hence the headline. The cool thing is the flat box that goes with them. It combines the functions of a stereo integrated amp, headphone amp, DAC, and active sub, with wireless connectivity for iOS devices. Pricing is $995, $1199, or $1499 for the package depending on size of fowl. Add another $99 for an iOS or USB dongle.
Darryl Wilkinson  |  Sep 06, 2012  |  0 comments
Crimson AV primarily makes mounts for big flat-panel TVs and projectors. And while I was impressed by the company’s attention to even the smallest details of the largest mounts, one of Crimson AV’s smallest devices was getting the largest attention. The $39.95 pocket-eAzl is a cleverly designed stand for iPads and other tablets that folds up into a small brick-like package that’s about the height and depth of an iPhone but only half the width, so it easily fits in a shirt, pants, or jacket pocket when not in use.
Bob Ankosko  |  Sep 06, 2012  |  0 comments
Mozaex founder Douglas Kihm has been thinking about building a pair of super headphones since he was a kid, a dream he has finally realized with the BluWavs, which he is billing as the "world's first 7.1 discrete HD headphones." Each of the bulbous earcups contains five mini drivers, including what he calls a "vibration subwoofer" that literally shakes your head for a tactile experience. Each set of headphones comes with the Blender Console, which looks like a '70s-era equalizer and is available in analog and digital versions. In addition to a 15-band EQ for the front L/R channels, the blender has discrete level controls for each channel so you can really screw up...er, personalize the sound.

The 7.1-channel surround field was impressive while listening to DTS HD Master versions of the soundtrack for Tron Legacy, Peter Gabriel's Growing Up Live and Omar Hakim's Listen Up live jazz jam. Package prices range from $1,295 to $2,595, depending on the version of the Blender.

Tom Norton  |  Sep 06, 2012  |  0 comments
Epson's long delayed LCOS (reflective LCD) projector caused quite a ruckus when it was demonstrated at the 2010 CEDIA. But it was never released and has now gone back to the drawing board. So don't look for it any time soon.

But there is a new Epson LCD in town, the PowerLite Pro Cinema 6020. The claim of 2400 lumens and a peak contrast ratio of 320,000:1 would, if realized, be industry highs. The refresh rate of 480Hz is said to increase the 3D brightness. At under $4000 when available in November, the projector will come with 2 pair of active 3D glasses, a spare lamp, and a guarantee of an exchange if, on delivery, there is even one dead pixel.

Mark Fleischmann  |  Sep 06, 2012  |  0 comments
It's about time KEF offered a product specifically for the growing computer-speaker audience. Though the X300A's ship date is not imminent, the preview demo made us want a pair right away, with the tight imaging we expect of a Uni-Q speaker and good top-to-bottom proportioning. It's KEF's first self-powered speaker, with powerful Class AB amplification and USB bridging the gap from one speaker to another, and each one having its own separate digital-to-analog converter. You might see it in December for $799/pair.
Rob Sabin  |  Sep 06, 2012  |  10 comments
Though not exhibiting at the 2012 CEDIA Expo, LG Electronics took space in a local restaurant in Indianapolis on Thursday night to announce pending availability of its new 84-inch 4K-resolution flat-panel HDTV. According to Jay Vandenbree, senior VP of Home Electronics, the 3840 x 2160-pixel display will be sold by a limited selection of U.S. retailers starting in October. Manufacturer’s suggested retail pricing has been set at $19,999, about $5,000 less than Sony plans to charge for it’s own 84-inch 4K panel announced for the U.S market on Wednesday. That HDTV should be available in November. Of course, there’s no real 4K content available to view on these televisions, nor any medium to deliver it, so buyers will be viewing upscaled 1080i from their cable boxes or 1080p from their Blu-ray players for the foreseeable future. Both sets are said to accept a 4K signal, though, so viewers will not only be future-proofed but should also be able to use other 3rd party scalers to achieve the best image quality with existing 2K content.
Tom Norton  |  Sep 06, 2012  |  0 comments
JVC announced nine new LCOS projectors at its Thursday CEDIA press conference. As before, these fall into two lines, Procision (consumer) and Reference (pro), each of which have models that differ only in model number (with one exception, the Reference DLA-RS4810 at $5095, which does not have a Procision equivalent).

All but the base model in each line employ JVC’s e-shift2 technology, which upconverts 2D HD content to 4K, i.e. 3840 x 2160 (as last year, the projectors cannot accept a native 4K source). Further video processing then manipulates this upconverted signal to operate with the projectors’ 2K (1920 x 1080) LCOS imaging chips.

E-shift2 is an upgrade from last years e-shift. Compared to e-shift, e-shift2 is said to sample 12 times as many pixels in its processing. It also simplifies the light path for higher brightness. The new projectors are said to produce higher native contrast ratios than last year’s models, with the top of the line designs said to achieve 130,000:1. The lamps in the new lineup are also specified to 4000 hours, with more stable brightness levels with increasing hours. You can also operate the projectors from your smart phone or tablet with a downloadable application.

The top two models in each line carry ISF and (pending) THX 3D certification. E-shift2 now extends down to a new $5000 price point with the DLA-X55R (Procision) and DLA-RS48 (Reference). The top models are the DLA-X95R and DLA-RS66, each at $11,999. The popularly priced DLA-X35 and DLA-RS46, which do not have e-shift, will retail for $3500. 3D glasses and a 3D transmitter are optional. Delivery of these new models is expected before the end of the year.

Mark Fleischmann  |  Sep 06, 2012  |  0 comments
The Tannoy people say they fine-tune their systems for music first and everything else second. We think that's a good attitude. The new Definition Series features "dual concentric" driver arrays with the center physically positioned and time-aligned to the acoustic center of the mid-woofer, reducing phase issues to nil, we were told. Internal bracing uses "differential materials technology" including a free-floating structure to protect the crossover. These speakers all have dual woofers with models including the 10-inch DC-10T and 8-inch DC-8T towers, 6-inch DC-LCR, and 12-inch Definition sub. The 7.1-channel system demoed—with big towers in front, smaller ones behind, center, and sub—totals $29,600 and it sure did sound musical with the evil-singing-cockatoo clip from Rio.
Mark Fleischmann  |  Sep 06, 2012  |  0 comments
Cambridge Audio's Minx sat/sub sets have been so successful that a new division of the company has been formed to exploit their successors. They include the single-driver Min11 ($95/each) and the dual-driver Min21 ($180/each). They have a tad more bass than their predecessors, at 130 and 120Hz respectively, but the big design change is in the flat diaphragms. The dual cube now has a hybrid BMR (bending mode radiator) and dynamic driver on top and a plain dynamic driver on bottom while the single cube uses a single hybrid driver. The new approach yields better power handling, longer throw, and the removal of an 8kHz spike. Crossover has also been improved. With flat-diaphragm subs of 8, 12, and 14 inches, pricing ranges from $849-1849. Cambridge also showed the Azur Stream Magic 6 network audio player which plays pretty much anything with 24/384 upsampling and is priced at $1149. Cambridge is also shipping two surround receivers shown at CES, the Azur 651R ($1899) and 751R ($2799).