Blu-ray Movie Reviews

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Geoffrey Morrison  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 1
Before Sam Raimi made his trillions on the Spider-Man franchise, he made a different trilogy of films, starting with The Evil Dead and ending with this classic here. The story follows Bruce Campbell as Ash, who is sucked through time and space to 13th-century England. In order to get back, he needs to acquire the Necronomicon ex Mortis. He botches the job and unleashes an army of undead. If it sounds ridiculous, it is. It’s also hysterically funny. You don’t need to have seen The Evil Dead or Evil Dead II to get this movie, but it sure doesn’t hurt.
Geoffrey Morrison  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 3
Audio: 4
Extras: 4
They made a Miami Vice movie with no pastel colors or Jan Hammer? I’m sorry, you lost me. At least there is a Ferrari (a gray one). Michael Mann fashioned this movie like his “gritty” past few movies, such as Heat and Collateral, enough so that it has very little in common with the TV show (at least the good years). Jamie Foxx and Colin Farrell do passable jobs as Rico and Sonny, but they can’t save this movie. After 20 minutes, I had no idea what was going on, and not in the way that would make me want to watch more.
Geoffrey Morrison  |  Apr 13, 2007  |  First Published: Mar 13, 2007  |  0 comments
Video: 3
Audio: 4
Extras: 3
Oddly enough, I’ve seen this movie a bunch of times, at least in its original form. Kneel before Zod! Most of this movie was shot concurrently with the original Superman, but the producers took it away from director Richard Donner and made it more comic-bookish by putting it into the hands of a new and mostly disliked director, Richard Lester. The punished trio from the beginning of the first movie break free and decide to take over Earth. Superman does what he does and makes Terrence Stamp cry.
Geoffrey Morrison  |  Mar 09, 2007  |  0 comments
Video: 3
Audio: 4
Extras: 3
Amazingly, the first time I saw this movie was just a few months ago. What can I say? I’m a Batman kind of guy. Superman is campier than many of the more serious comic-book adaptations of late, but, compared with other comic-book movies of the time (and for many years after), it’s downright somber. It holds up well and is still the quintessential Superman movie. Covering the last days of Krypton to the time when Superman saves Earth from a toupeed Gene Hackman, it’s quite a film. It’s not least recognizable for its excellent score, which earned John Williams one of his 4,383 Oscar nominations.
Shane Buettner  |  Mar 03, 2007  |  0 comments

Ben Affleck drunk, and wearing tights- threat or menace? Actually <I>Hollywoodland</I> reminded me that we once knew Ben Affleck's name because of his acting talent and not the sheer tonnage of projects he was involved with or who he was engaged to. This well crafted movie tells the story of the death and then life of George Reeves, the Superman of 1950s camp TV. Coming in I knew nothing of Reeves' mysterious death let alone his life beyond the tights. <I>Hollywoodland</I> weaves through Reeves' life by way of a private investigator's look into his death, a character the film's creators acknowledge is an amalgam of several people and not a real person. The other chracters names have apparently not been changed to protect the innocent (or guilty).

Shane Buettner  |  Mar 03, 2007  |  0 comments

What do you say about a Best Picture Winner? For one, I can say I didn't think it was the best movie I saw in 2006, even though I only saw a handful of movies. I can also say unequivocally that I don't agree at all that this is Martin Scorsese's best movie since the seminal <I>Goodfellas</I> in 1990. <I>Kundun</I> and <I>The Aviator</I> were as good or better. But Oscar had some catching up to do, and did so with a vengeance.

Shane Buettner  |  Mar 03, 2007  |  1 comments

Got your blanket with you? I have barely a passing familiarity with Douglas Adams' <I>Hitchhiker's</I> series of books. So passing that I actually thought it was a single book, and only found out that it was first a radio creation and then a series of books, TV shows, and other media creations when I read the Wikipdia entry before writing this.

Shane Buettner  |  Mar 03, 2007  |  0 comments

Wow. I'm generally more into Will Ferrell than Colin Farrell, and still haven't forgiven Joel Schumacher for <I>Batman and Robin</I>, so <I>Phone Booth</I> wasn't even close to being on my radar until it showed up on Blu-ray. Happy to say, this was a surpirse as both a movie and BD transfer.

Shane Buettner  |  Mar 03, 2007  |  0 comments

<I>The Matador</I> is an off kilter comedy that works by expertly playing on the audience's expectations without being overly manipulative. Erstwhile 007 Pierce Brosnan plays the the low down and dirty version of JB, a hit man for hire with very bad people skills. He's coming to the end of his run at the top, and has enough money to retire, but nothing or no one to retire to, not a single friend or any other human connection. While on a job in Mexico he runs into Danny, played by Greg Kinnear, who's also in town on a business trip, albeit ina different line of work! The two strike up as mcuh of a friendship as Brosnan's Julian allows, and inevitably when Julian's bosses decide he's more of a lliability than an asset Kinnear's Danny is the only friend he can turn to for help.

Shane Buettner  |  Feb 14, 2007  |  0 comments

It would take a much better film writer than I to do justice to this film, so I'll limit the damage by being brief. Alejandro Gonzalez Inarritu's <I>Babel</I> brilliantly intertleaves the lives of four families across three continents, and links them in way that are mostly believeable and emotionally captivating and compelling from beginning to end. Almost like Jim Jarmusch meeting Robert Altman in the Int'l terminal.

Shane Buettner  |  Feb 14, 2007  |  0 comments

It's a big credit to this film that its subject matter is something that has not only been done, but been done very well many, many times. In fact, the film it reminded me the most of, in many ways, is the excellent if not great <I>Truman Show</I>. Yes, like that movie this one highlights the dramatic skills of a genius-level sketch comedy actor, only this time around it's Ricky Bubb-eee himself Will Ferrell. Instead of the being the unwitting subject of a reality TV show, Ferrell's Harold Crick finds that he's the subject of a novel being written by a self-and death-obsessed writer played wonderfully and obsessively by Emmma Thompson.

Shane Buettner  |  Feb 14, 2007  |  1 comments

In one sense this film is an unexpected gift. I would never have imagined such intense, mesmerizing human drama could be culled from the story of two rival magicians trying to destroy each other personally and professionally around the turn of the century. Of course, in another sense the success of a film made from such a talented pool of people on both sides of the camera shouldn't seem surprising at all.

Geoffrey Morrison  |  Feb 05, 2007  |  0 comments
Video: 3
Audio: 3
Extras: 5
Unashamedly, this is my favorite movie of all time. From the dialogue, to the acting, to the story, everything about this movie is awesome. If you never have, you owe it to yourself to see it. The story centers around hardened bar owner Rick, a lost love, and sticking it to some Nazis, which always make for good entertainment. As usual with a superior movie like this one, it’s about all that and more.
Gary Frisch  |  Feb 05, 2007  |  0 comments
Video: 5
Audio: 4
Extras: 4
M:i:III is the first film to be released simultaneously on HD DVD, Blu-ray, and standard DVD. Underachieving at the box office, this is nonetheless a lavish and worthy entry in the franchise. Philip Seymour Hoffman steals the show as a vile weapons dealer, but there are plenty of action sequences, stunts, and disguises to support Cruise. So what if it feels like we’ve seen it all before? Director J.J. Abrams adds a few fresh twists, and it’s still good fun the third time around.
Geoffrey Morrison  |  Feb 05, 2007  |  0 comments
Video: 5
Audio: 5
Extras: 4
V for Vendetta is the heartwarming tale of a near future where the government has taken an Orwellian turn for the oppressive extreme. Ironically, this time, John Hurt plays the oppressor instead of the oppressed. His government subdues all, except for the “terrorist” V, who decides he’s mad as hell and isn’t going to take it anymore. Adapted from the graphic novel of the same name, V is decent, but it’s disappointing in that it could have been a lot better.

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