Q. I have been using the surround processor in my receiver, fed to a multichannel amplifier, and am considering doing so again. Can you clear the air regarding voltage output from a receiver or preamplifier, amplifier input sensitivity, and amplifier input impedance.
Q. I read somewhere in your magazine that cathode-ray tube TVs have a half-life of 30,000 hours. At 6 hours a day, that's around 13 years. I'm about to make the HDTV plunge. What are the half-life specs for plasma, LCD, and DLP? Jeff Dorscher Glendale, AZ
Q. I've been using separates in my surround system for some time and have a collection of high-end amplifiers. But the surround processing modes, HDMI connectivity, and video upconversion on my preamp/processor are now out of date. New receivers seem to have the latest technology at a much more reasonable price than most of the pre/pros with similar attributes.
Q. I read that the newer HDMI version 1.3 effectively solves the lip-sync issue that can sometimes pop up in HDTV broadcasts because of the digital audio being quicker than the video. I am considering a receiver upgrade. Would you recommend looking for a receiver with HDMI 1.3? Shawn Crandall Via e-mail
Q. The sound quality of high-end televisions has generally improved. Is it possible to route the center-channel output from my receiver to my TV and use its speakers for the center channel, rather than having a separate speaker on the wall? Jay Pringle Show Low, AZ
Q. My HDTV has a native resolution of 1,920 x 1,080 pixels and its overscan is about 2.5%. Does that mean that I'm losing 2.5% of the image area that I should be seeing?
Q. I'm concerned about the accuracy of the standards used for professional HDTV calibration. In ISF-calibrated sets, the color white always has some other shade mixed in that makes it look slightly gray, brown, or green. But the whites I've seen on most uncalibrated HDTVs look more like the color white as it appears in reality.
On February 27, Warner Home Video released a second DVD-only cut of Oliver Stone's Alexander. Dubbed Alexander Revisited: The Final Cut, this three-and-a-half-hour version includes 38 minutes of new footage and an intermission. Stone recently talked about the importance of DVD to Alexander, and to all of his films. - Michael Gaughn
While wrapping up an article on director Peter Farrelly's adventures trying to get a high-end movie room installed ("Heartbreak Home Theater"), I had a chance to talk to Farrelly about his new movie, The Heartbreak Kid, and about filmmaking in general.
Q. I spent big money for a 7.1-channel speaker setup, but all the new high-def discs have 5.1-channel soundtracks. So, where are the 7.1 discs? Elias J. Vujovich / Southington, OH
Q. I have a Mitsubishi DLP TV with a built-in over-the-air HDTV tuner, and I'm interested in getting a high-definition DVR to use with it. I've Googled around and, to my surprise, haven't discovered many options. What I have found is either very expensive (TiVo's HD DVR) or no longer in production.
Backward-compatibility can come at the expense of innovation, as we learned from the failure of the Digital Compact Cassette in the early '90s. The DCC format enabled a new generation of hardware both to record digital tape cassettes and to play standard analog cassettes.