A/V Veteran

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Thomas J. Norton  |  Feb 02, 2012  |  4 comments
It may surprise some readers, but apart from the Blu-ray discs we are assigned to review and the occasional disc that flies over the transom, most of us here at Home Theater actually buy the Blu-rays we watch. True, at one time (as the editor of the Stereophile Guide to Home Theater and Ultimate AV), I received many screeners for review. So I do have a large collection of DVDs (many of which have been donated away), Blu-rays, and HD DVDs (RIP). But the pile has grown far more slowly in recent years. Nevertheless, I look forward to upcoming releases just as much as before, and I'll be in line to purchase titles I want that don't come my way for review.
Thomas J. Norton  |  Mar 12, 2010  |  7 comments

With the analog audio section of this multi-part tome largely out of the way (though a listen to the audio from the Special Edition Oppo BDP-83 is still to come), I turned to video. All of the testing was done with duplicate copies of high quality Blu-ray discs. The players were compared directly, two at a time, with the disc in one of the players running roughly 12 seconds behind the other. Making allowances for a switching delay of about 5 seconds (which the players needed to re-sync with the display following the switch) this staggered cueing let me watch the same few seconds of program material first on one player and then on the other.

Thomas J. Norton  |  Jul 05, 2010  |  4 comments

Break out the fireworks. Fire up the grille. Happy 4th of July. A new chapter in the Neverending Story of this Blu-ray player saga has arrived.

Thomas J. Norton  |  Sep 20, 2010  |  1 comments
At long last, we come to the final chapter of the ongoing Blu-ray player saga. It has been a journey too-often interrupted by the need to adjust to new system components coming in and out for their own reviews. Nothing is more disruptive than having to adjust to the sound of new speakers.

But enough with that. First, a brief summary of what this entire effort has been about....

Thomas J. Norton  |  Aug 18, 2015  |  9 comments
Join me in the WayBack Machine for a trip to 1995. Somewhere in North America a Stereophile Hi-Fi Show is in progress, and the writing staff is gathered for an Ask the Editor’s session. A question arises about the then fledgling music downloading technology. I recall I answered that, “We’ll be able to do it before we can do it well.”

As it turned out that was correct, though I’m no soothsayer...

Thomas J. Norton  |  Mar 01, 2006  |  0 comments

With the HD DVD competition set to launch within a month, Sony invited members of the CE press to the Sony Studios in Culver City, California for an update on Blu-ray technology and a demonstration of that format's formidable capabilities.

Thomas J. Norton  |  Feb 02, 2006  |  0 comments

Steven Soderbergh's feature film, <I>Bubble</I>, premiered last week in high definition on HDNet. It also opened simultaneously in several dozen theaters around the country, all of them either Landmark theaters (owned by HDNet owner Mark Cuban) or independent art houses. Theater chains boycotted the film because in its simultaneous release on cable television, in theaters, and (this past Tuesday) on DVD, it represented a perceived threat to their box office revenue.

Thomas J. Norton  |  Oct 24, 2017  |  8 comments
Every time we get a new video format, studios seem to see it as an excuse to sell their movies all over again to enthusiasts. And we buy them. But is the transition to Ultra HD Blu-ray somehow different?
Thomas J. Norton  |  Jul 18, 2016  |  1 comments
It’s been no secret up to now that calibrating a display for high dynamic range (HDR) is a work in progress. But the recent release of an HDR10 workflow for CalMAN 2016 (the newest software from SpectraCal) promises to change that. CalMAN is widely used by calibrators and reviewers to optimize display setup.

HDR10 is one of the two most prominent HDR formats (though there are others lurking around looking for a niche). Both of these formats require specialized, and different, calibration techniques. A CalMAN workflow for the other format, Dolby Vision, has been around for several months.

But most UHD/HDR sets offer HDR10, as do all UHD Blu-rays to date, making an HDR10 calibration perhaps even more significant...

Thomas J. Norton  |  Jul 30, 2007  |  1 comments

We've been, and continue to be, big supporters of getting a video display properly calibrated. We do it in our reviews because it shows us best that a set is capable of. Just as significant is the fact that if you just present only the out-of-box result in a review, you're trying to hit a moving target. Different samples will differ, perhaps significantly, because manufacturers can't perform anything more than a rough setup on the production line. The average consumer won't notice the difference in the store, and it takes too long (and costs too much) to perform a tight calibration for everyone just to satisfy the discerning customer.

Steven Stone  |  Nov 17, 2005  |  4 comments

<I> My blog is open to any non-blogging </I>UAV<I> writer. Why should I have all the fun? Today, reviewer and contributing editor Steven Stone chimes in with advice for feline-loving audio- and videophiles.</I>

Thomas J. Norton  |  Apr 07, 2020  |  5 comments
A month or so ago, my local AMC theater sent out a notice that they were only selling seats separated by a few feet to minimize close contact. A few days earlier I had gone to the Dolby Cinema screen in the same complex to see Onward, but it was a weekday afternoon and there were only about a half dozen of us spread out across the theater’s 250 seats. Today, thanks to the corona virus, that theater is closed for the duration. That’s true throughout the world...
Thomas J. Norton  |  Jul 19, 2007  |  0 comments

It's been a busy, hot, sad, exciting, confusing, jumble of a month here at <I>UAV</I>, and there's a lot to catch up on. Rather than post several separate, shorter blogs at once, I'll mash them all together.

Thomas J. Norton  |  Oct 09, 2006  |  1 comments

The Tokyo-based CEATEC, held each fall about this time, is sometimes referred to as Japan's CES. While the analogy doesn't fit when applied to finished goods (the show is far smaller in that respect than even the CEDIA Expo, much less CES), it certainly does apply if you include component parts. You can roam the eight or so exhibit halls and find all sorts of things, from cell phones to capacitors to integrated circuits. There was even a small, lonely booth off to one side with high-end audio goods on display. The exhibitor's there had obviously confused CEATEC with the annual Tokyo High-end Audio Show, scheduled for later this month.

Thomas J. Norton  |  Sep 20, 2016  |  0 comments
CEDIA stands for the Custom Electronic Design & Installation Association. Unlike CES in January, which covers virtually everything in consumer electronics from cameras, to flat screen televisions. to audio, and to wearables (body décor with chips in them!), CEDIA caters to the large group of professionals who custom install and service electronics, mostly for the home. If you want a high-end home theater like the one shown above, but haven’t a clue as to how to do it, they’re there for you...

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